Addison, Merle

Four in person guests at a table, silhouetted against the projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Five in person guests, across from a long projection of virtual guests, all chatting and drinking wine. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

In person guests seated along one side of a long table, across from a projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Rebecca Belmore seated at the dinner table, across from projected virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

A server pours wine for in person guests, including Glenn Alteen and Rebecca Belmore. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

In person guests chat together, silhouetted by the projection of virtual guests across the table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Virtual guests projected onto a large screen, at a long dinner table, across from in person guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Allen Fisher speaks to an audience at Blake's on Carrall. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Allen Fisher gestures toward a projected screen showing a large room while speaking to the audience. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Allen Fisher reaches his hand toward a projected image on a screen. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Allen Fisher stands and speaks to the audience at Blake's on Carrall. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Allen Fisher and audience members look left towards a projector (not shown in photo). Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Lori, inside the YWCA, holds a martini glass up to the window, in front of an onlooker. Still from One Hundred Housewives by Lori Weidenhammer.

Lori, in costume, dusts the inside of the YWCA window. Still from One Hundred Housewives by Lori Weidenhammer.

Lori, in a wig and leopard print coat, stands over a toaster in the YWCA window. Still from One Hundred Housewives by Lori Weidenhammer.

Two children and an adult look in on Lori through the YWCA storefront window. Still from One Hundred Housewives by Lori Weidenhammer.

Lori in a wig and skirt, stands, holding a phone in the YWCA window. Merle Addison and another onlooker are reflected in the window. Still from One Hundred Housewives by Lori Weidenhammer.

Lori sits at a table in the YWCA window, wearing a wig and a dress, and crying out. Still from One Hundred Housewives by Lori Weidenhammer.

Lori in front of the YWCA window, in a wig, holding a pole towards a child looking in from outside. Still from One Hundred Housewives by Lori Weidenhammer.

Lori in front of the YWCA window, in a wig, drinking from a martini glass. Still from One Hundred Housewives by Lori Weidenhammer.

Lori seated on a table in the YWCA storefront window, with legs spread and arms crossed. Still from One Hundred Housewives by Lori Weidenhammer.

The corner storefront of the YWCA thrift store with onlookers and passersby. Still from One Hundred Housewives by Lori Weidenhammer.

Lori looks down and frowns, with her hands on the YWCA storefront window. Still from One Hundred Housewives by Lori Weidenhammer.

Lori in a blonde wig, gloves, and dressed in a white outfit, stands in the YWCA storefront window. Still from One Hundred Housewives by Lori Weidenhammer.