Cornwall, Gordon

Client newsletter featuring a range of fabrics and garments including a silk crepe de chine op art skirt, loden bomber jackets, and Swiss cotton raincoats. Details include pleats, welt pockets, and possibly appliqued diamonds.

Client newsletter highlighting holiday wear. Included are an Andalusian cape with 'lips' via piping around a pocket's opening and a velvet suit shown with a cotton batiste blouse. Logo skirts are introduced, featuring either LMW or the client's initials upon request.

Client newsletter photographed on location in London, England. Two-piece ensembles are featured, either sweaters paired with skirts or a jacket and skirt combo. Wool is the fabric of choice: Swiss wool challis and an Austrian wedding cloth wool.

Client newsletter concentrating on skirts including a tiered midi. All four skirts featured are constructed in either merino wool or wool jersey. Of note is a nautical theme, particularly a pea coat and skirt ensemble.

Client newsletter celebrating Expo 86. The clothes featured are LMW staples: loden coats, two-piece suits, and skirts in midi and maxi lengths. Also of note, a blouse constructed from Sea Island cotton, a fabric so rare only 5000 pounds of fibre is produced annually. This edition is the first to feature colour photography only.

Client newsletter promoting the spring fashion show: In Flight. Attendees are given a chance to win a helicopter picnic at the Lions. Wool jersey is highlighted as a year-round fabric and emphasis is put on exterior pockets. Also featured is a Carmen-inspired dress of cotton crepe.

Client newsletter featuring a range of styles including the menswear-inspired ensemble appearing on the cover to bare shoulders throughout the rest of this edition. Cut-outs on blouses are in season, as are Obi wrap belts. Customers are reminded to not iron crinkle-cotton.

Client newsletter focusing on pink this season. Suit jackets are relaxed and asymmetrical, and a menswear influence is also present. Fabrics of note are barathea wool and fibranne.

Client newsletter that is the first to include colour photographs. Organic forms appear in a scarf's details, a dress's neckline, and a pair of cufflinks. Also promoted is a LMW applique belt.

Client newsletter highlighting recent additions to LMW. Included are the addition of alpaca, asymmetrical designs, and combining patterns. Clients are introduced to an asymmetrical two-piece suit and an asymmetrical dress available in two lengths, an alpaca and wool blend coat, and the pairing of a polka dot blouse with a skirt featuring broad horizontal stripes.

Client newsletter primarily photographed on location near Granville Island, Vancouver due to the nautical-inspired garments. Included in this collection are loden coats and two-piece suits, and a belted two-piece dress. Readers are reminded of LMW's alteration policy.

Client newsletter advertising a range of styles for the coming season including a below-knee dress with matching reversible jacket, a belted dress buttoning up the back, and a flapper-inspired midi dress with four layers of fringe. There is no text beyond the names given to the garments.

Client newsletter promoting the key tenets of LMW's fashion philosophy: flexibility, quality, and luxury. Garments presented as embodiments are Windowpane (a collection of four coordinates), loden coats and suits, and silk raincoats. Clients are informed of the benefits of shopping at LMW in Kerrisdale versus downtown: fresh air, tree-lined streets, and free parking.

Client newsletter that features solely photographic images of ensembles; the only text that appears are the names of the pieces. Pleats, fringe, and shaggy fur accentuate belted jackets and midi skirts. The outdoor sculpture, Bird of Spring, by Abraham Etungat used as a background for a fashion shoot near the Vancouver Art Gallery.

Client newsletter imploring readers to adapt to technology by reframing it in terms they understand: software becomes synonymous with clothing. Loden is the focus of the season and appears as coats, skirts, and an ensemble comprised of a short jacket and knickers. The editorial page returns to discuss the challenges of business, whether it be the creation of fashion or pins.