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Collaborative work by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

A live durational performance piece carried out in isolation performed by Hester Reeve in England but projected into a prepared location at grunt gallery in Vancouver for LIVE 2001. The projected performance presents the spectator with the virtual…

Communitea features a video-viewing of past tea performances occurring in the development of this piece in at Gallery Gachet in the Downtown Eastside. Bryan Mulvihill will serve tea in this closing performance art event of the LIVE Biennial of…

Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina (Victoria Singh with Derek Champion and Chris Swain). A 45 minute autoerotic journey in two sexual stages, symbolizing mental states associated with the orgasmic process.…

Marginalia is a performance and installation work by Dragu and Hall that began in February-March of 2004 during their Vasistas' residency at Theatre La Chapelle in Montreal. Since then they have been extremely busy exchanging email/snail mail…

Two performances occurred simultaneously in adjoining rooms. Each performance reflects the disparate bodies of work that the two artists pursue separately. When they interface with each other (either purposefully or accidentally) a third performance…

Irene Loughlin incorporates states of grasping and hanging from a fire escape in an off-site performance located in a local alley of Canada's poorest postal code. A memorial piece for people who have died in the alley and a testimonial to those…

This is a loss of bodily control, of bodily functions. She experiences both repulsion and desire simultaneously. She is abject. She is outside of herself. Her body lies dormant beside her body being traumatized. This performance was part of the…

Informed by popular culture and situated in contemporary cultural issues, Marlene Madison's Mira investigates multiple performance gestures and takes a humorous look at the phenomenon of cults - from psychoanalysis to those which more subtly…

Giant food, genetically modified organisms, Beckett and Marx (that's the brothers not Karl) combine in fusion cooking's maddest combo yet. Slapstick comedy is mutilated and disemboweled and now the organs are taking over. What happens when…

This 3 hour performance is based on a comedian's 5 minute solo routine taken from a late night talk show. All three artists wore identical clothing and repeating the monologues simultaneously including gestures, emotional expressions, and…

Rehearsal is part of an ongoing investigation on the conditions which surround "performance". The performance event accompanies a two week installation that attempts to activate the gallery space, blurring lines between performance and non…

Part drive-in theatre, part live radio show, 'Half-a-Tank' took place in a large parking lot at 1st Avenue and Ontario Street, where audience members, seated inside their cars, parked in a large circle facing inward. Inside the circle, a…

Wireless Bodies was performed as part of ALA's Havana Gallery Series and was curated by Adad Hannah. The overarching theme of this performance is the wireless body - the body as appropriated and inserted into a set of media determined…

A series of short works from the Montreal performance festival FA3, performed in sequence at grunt gallery.

Blue Lodge was performed as part of ALA's Havana Gallery series and was curated by Archer Pechawis. Also known as A Little Piece of Unity, this performance is an unconventional multi-media storytelling that recorded and reflected on aspects of…

Lezli Rubin-Kunda spent five days wandering Vancouver, collecting plant materials, debris, and assorted objects: a process of playing and exploring the intertwining of the magnificent and the mundane, from primal forest to parking lots. After…

The second LIVE Biennial of Performance Art took place from October 13 to November 30 2001, and engaged seventeen Vancouver arts organizations and dozens of artists, curators, writers, academics, and others in the production of Vancouver's…

Lori Blondeau's Bleached takes a humorous and poignant look at Indigenous family life, identity, whiteness, and discrimination framed as the familiar chatty dialogue at a salon or home haircare session. This performance was curated by Lynn Hill…

This performance is inspired by the book "Empire" by Antonio Negri and Michael Hardt with its philosophical and political propositions of shifting configurations of racism. However, it is clear that racism has not receded but actually…

Taking in Strangers is a show that explores through oral history, physical, theatre, video, and projected images, the similarities and connections between the people of Newfoundland and Québec. With text taken verbatim from conversations, this show…

Randy and Berenicci, dressed as nomadic travelers, appear to float in False Creek on a sculpture engulfed in flames. From the land, viewers used an optically assisted telescope to create the illusion of the performers waling endlessly through the…

For LIVE, Martin Beauregard produced his performance 'Fireworks', using a slide projector and live sound effects. Beauregard's simulations fall flat, never reaching the needed climax in their fulfillment of his intention to wipe out…

Lesbian art collective Kiss & Tell's Borderline Disorderly draws on their experiences as artists and activists to confront the complexity of making art as queer Canadians. This performance is about artistic process, censorship, the gulf…

The performance group One Night Only work by taking over alternate or empty spaces to create site-specific installation work in dialogue with the form and function of the space. Six artists inhabited the space of the Bartlett Exhibition and…