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A member of Liminal answers a phone, surrounded by audience members. Still from Objects for the Emancipated Consumer by Liminal.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Three members of Liminal on cell phones. Still from Objects for the Emancipated Consumer by Liminal.

Two members of Liminal point guns at one another. Still from Objects for the Emancipated Consumer by Liminal.

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Two in person guests at a table, silhouetted against the projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A member of Liminal sits on the floor, as another lays on their lap. Still from Objects for the Emancipated Consumer by Liminal.

Video documentation of Adult Female by Léa Donnan, live streamed from Australia and broadcast at grunt gallery.

Video documentation of The British Umpire by Hester Reeve, live streamed from the UK and broadcast at grunt gallery.

Article in ETC, Numer 62, June–July–August 2003 on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

French article on Robert Saucier's Aibo. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Video documentation of Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Five in person guests, across from a long projection of virtual guests, all chatting and drinking wine. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Press Release produced by Liminal Performance Group. Collected material for Objects for the Emancipated Consumer.

In person guests seated along one side of a long table, across from a projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Character profiles and descriptions for the six episodes of the performance. Collected material for Objects for the Emancipated Consumer.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Espace's Summer 1999 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article in Hour's May 13 to 19, 1999 issue on Robert Saucier's still can't fly. Collected material for Infrasense by Robert Saucier and KIT artist collective.

In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Video documentation of Tent City by Rebecca Belmore, broadcast at grunt gallery and live streamed to audiences in the UK, Australia, and China.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

One member of Liminal lays on the ground as another grabs their face. Still from Objects for the Emancipated Consumer by Liminal.