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Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Chiasma proposal by Folly Gallery. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.

Nathalie Derome shakes one hand side to side while holding a cigarette in the other. Still from Girouette-Weathercock.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

Letter from Imperial Slacks promoting their collective. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.

Video documentation of the Al Neil History Tribute, performed by Krista Lomax, Carole Itter, and Ben Wilson. Includes a reading by Randy Gledhill.

Josée Tremblay leans to the right as she emerges from her plaster costume. Still from Same line.

Josée Tremblay stands still in her plaster costume. Still from Same line.

Email between Jonathan Jones and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A videographer takes a close up shot of Josée Tremblay's plaster costume. Still from Same line.

Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.