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Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A member of HUMAN 5 drills a painting of a face onto the wall. Still from Human 5 by HUMAN 5.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Chiasma proposal by Folly Gallery. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A video camera, with the display screen flipped out, showing the top of John Boehme's head. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Judith Price stands in rollerblades and a tutu. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.