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A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…
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An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…
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An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…
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Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.
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Nathalie Derome lights a stick of incence atop a pile of wood and fabric. Still from Girouette-Weathercock.
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Three members of HUMAN 5 work on their project. One paints and another is using a drill. Still from Human 5 by HUMAN 5.
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Members of HUMAN 5 sit on a milk crate and on the floor painting. Still from Human 5 by HUMAN 5.
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Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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One member of HUMAN 5 paints on the ground, while surrounded by other group members and an audience. Still from Human 5 by HUMAN 5.
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Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.
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Josée Tremblay is helped into her second costume, a plastic sheet adorned with paper cones. Still from Same line.
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Kirsten Forkert on the right and four participants on the left in the Western Front's kitchen. Still from Spending Time Together by Kirsten Forkert.
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Josée Tremblay stands naked above her discarded plaster costume. Still from Same line.
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Victoria Stanton, wearing a dress decorated with forks and spoons, stands at a table. Still from (If) not for me (If) not for you.
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Josée Tremblay in her second costume, a plastic sheet adorned with paper cones. Still from Same line.
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LIVE curator David Yonge sits on the floor, watching the performance. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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A tent projects an image onto the wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Judith Price stands next to a TV on a rolling stand and presses a large sheet of paper against the wall. Still from The Performance Evaluation Review by Judith Price and John Boehme.
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A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Josée Tremblay stands still in her plaster costume. Still from Same line.
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An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.