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The Globe and Mail's 7 days listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Card printed as part of a series for the Festival of Upper Austria Regions, June 22 to 30, 2001. Collected material for Boris Nieslony's Black Market International performance.

Review in The Georgia Straight of Astrid Hadad's performance at The Chan Centre. Collected material for Astrid Hadad y Los Tarzanes.

grunt gallery Fall 2003 programming brochure, including listings of LIVE Biennial events. Collected Material for LIVE Biennial of Performance Art 2003.

Listings from Terminal City Magazine including LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.

Statement of Work by Randy & Berenicci. Collected material from Feu de joie by Randy and Berenicci.

grunt gallery Fall 2001 programming brochure including a listing for Reservoir. Collected material for Reservoir by Rebecca Belmore.

Listings from Terminal City Weekly including LIVE Biennial events. Collected material for The Sniffy the Rat 10th Anniversary Bus Tour.

Brief from Xtra West highlighting LIVE at the End of the Century with selected recommendations. Collected Material for LIVE at the End of the Century.

Title page for Léa Donnan's Live Art Documentation in the Chiasma binder. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Article from The Georgia Straight discussing the marginalization of performance art as a form, traditions of performance art in Vancouver, and LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

Email between Lora Yeates at Folly Gallery and Daina Warren. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

The Chan Centre listings, including Astrid Hadad's performance, in The Vancouver Sun. Collected material for Astrid Hadad y Los Tarzanes.

Cover and article on Astrid Hadad in The Georgia Straight. Collected material for Astrid Hadad y Los Tarzanes.

Letter from Boris Nieslony to Victoria Singh, sent with information on Black Market International. Collected material for Black Market International.

Photocopied French language article on the political aspects of Nathalie Derome's work. Collected material for Girouette-Weathercock.

Georgia Straight article about the Nihilist Spasm Band and their upcoming performance at The Western Front. Collected material for LIVE Biennial of Performance Art.

Photocopy of an Evening Post review for a Satina Saturnina's Satori at BATS Theatre. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Exhibits listings in The Province. Collected Material for Set: Room 302 by Judy Radul and Geoffrey Farmer.

Photocopied book review of LIVE at the End of the Century: Aspects of Performance Art in Vancouver from Artichoke Magazine. Collected Material for LIVE at the End of the Century.

Hot Tickets listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Lists of materials needed for the Black Market International performances. Collected material for Black Market International.

Letter to Daisie explaining the performance. Collected material from Feu de joie by Randy and Berenicci.

Flyer advertising Astrid Hadad's performance at The Chan Centre. Collected material for Astrid Hadad y Los Tarzanes.

Article from MoreonMain with listings of LIVE Biennial events. Collected material for LIVE Biennial of Performance Art 2001.