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Review article from the Georgia Straight. Collected material for Objects for the Emancipated Consumer.

Article reviewing the Theories and Hybridities panel discussion with Kristine Stiles, Jocelyn Robert, Warren Arcand, and moderator Glenn Alteen. Collected material for Theories and Hybridities.

Program booklet for Satina Saturnina's Clitoris Goddess, 1995. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Photocopy of a Terminal City Magazine review for a Satina Saturnina performance at The Brickyard. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Schedule and descriptions for week 1 of the 2005 LIVE Biennial of Performance Art. Collected material for LIVE Biennial of Performance Art.

Card for Black Market International at Bone 3: Performance Art Festival at Schlachthaus Theater, Bern, Switzerland. Collected material for Black Market International.

Clipped listing from The Vancouver Sun including LIVE Biennial events. Collected material for The Sniffy the Rat 10th Anniversary Bus Tour.

Pamphlet for grunt gallery's fall 2003 programming. Collected material for LIVE Biennial of Performance Art.

Statement by Rebecca Belmore on her practice with a short list of selected performances. Collected material for Reservoir by Rebecca Belmore.

Flyer for Vetrina internazionale del CND, featuring Black Market International. Collected material for Black Market International.

Programming poster for LIVE at the End of the Century, October 1 – November 6, 1999. Includes event listings by venue and funding acknowledgements. Collected Material for LIVE at the End of the Century.

Georgia Straight arts listings including the 2005 LIVE Biennial of Performance Art. Collected material for LIVE Biennial of Performance Art.

Terminal City Weekly's Calendar listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Vancouver Sun article on the upcoming LIVE Biennial of Performance Art, its highlights and artists. Collected material for LIVE Biennial of Performance Art.

Sleeve for the Chiasma CD ROM, containing an artist statement, photos, and video. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Biography for Rebeca Belmore. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Card printed as part of a series for the Festival of Upper Austria Regions, June 22 to 30, 2001. Collected material for Boris Nieslony's Black Market International performance.

Letter from Boris Nieslony to Glenn Alteen, sent with information on Black Market International. Collected material for Black Market International.

Project proposal for Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

In Concert listings in The Westender, including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Photocopy of a Vancouver Sun article discussing performance art traditions in Vancouver and abroad, along with LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

Programming brochure for LIVE Biennial of Performance Art, October 18 – November 29, 2003. Collected Material for LIVE Biennial of Performance Art 2003.

Essay by Alastair MacLennan in Europa: European Tour 1998-1999 by Black Market International. Collected material for Alastair MacLennan's Black Market International performance Rove Over.

Artist statement for Black Market International artist collective. Collected material for Black Market International.