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A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay stands still in her plaster costume. Still from Same line.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

A video camera, with the display screen flipped out, showing the top of John Boehme's head. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Roi Vaara stands in a suit, with his head inside a cardboard box. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

A videographer takes a close up shot of Josée Tremblay's plaster costume. Still from Same line.

Paul Wong takes a close up shot of Josée Tremblay in her plaster costume. Still from Same line.

A member of HUMAN 5 drills a painting of a face onto the wall. Still from Human 5 by HUMAN 5.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Nathalie Derome shakes one hand side to side while holding a cigarette in the other. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Josée Tremblay's plaster costume, removed and arranged on the floor. Still from Same line.