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One member of HUMAN 5 sits on the floor drawing while someone films video. Still from Human 5 by HUMAN 5.
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Roi Vaara lays on the floor with his leg over a chair and a cup dangling from his bare foot into a bucket of water. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…
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A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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A close up of the face and torso of Josée Tremblay's plaster costume, arranged on the floor. Still from Same line.
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One HUMAN 5 group member paints while two members and an audience look on. Still from Human 5 by HUMAN 5.
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Roi Vaara stands in a suit, with his head inside a cardboard box. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Nathalie Derome stands above a pile of wood and fabric and a stick of burning incense, speaking into the microphone. Still from Girouette-Weathercock.
Compound Object
Nathalie Derome's performance Girouette-Weathercock for FA3.
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Victoria Stanton addresses the audience from a plinth, while her assistant operates a projector behind her. Still from (If) not for me (If) not for you.
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Victoria Stanton and her performance assistant stand on the loft above the audience. Still from (If) not for me (If) not for you.
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Audience members and a computer are seen in the foreground. A projected screen reading: “THE BRITISHISH EMPIRE” is seen in the background. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and…
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Josée Tremblay's plaster costume, removed and arranged on the floor. Still from Same line.
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Three members of HUMAN 5 work on their project in front of an audience. Still from Human 5 by HUMAN 5.
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Victoria Stanton places an offering of cake at Josée Tremblay's feet. Still from (If) not for me (If) not for you.
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Three members of HUMAN 5 face and discuss their work, while two audience members look on. Still from Human 5 by HUMAN 5.
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Judith Price stands next to a TV on a rolling stand and presses a large sheet of paper against the wall. Still from The Performance Evaluation Review by Judith Price and John Boehme.
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One member of HUMAN 5 paints on the ground, while surrounded by other group members and an audience. Still from Human 5 by HUMAN 5.
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Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.
Compound Object
Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.
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Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.
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A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.
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Audience members watch the performance from the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.
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Three members of HUMAN 5 stand in front of their work, with their backs to the camera. Still from Human 5 by HUMAN 5.
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Alastair MacLennan stands in a dark outfit, with his face obscured, holding a tall stick. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.