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Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Video documentation of Adult Female by Léa Donnan, live streamed from Australia and broadcast at grunt gallery.

Video documentation of the Al Neil History Tribute, performed by Krista Lomax, Carole Itter, and Ben Wilson. Includes a reading by Randy Gledhill.

Josée Tremblay leans to the right as she emerges from her plaster costume. Still from Same line.

Video documentation of The British Umpire by Hester Reeve, live streamed from the UK and broadcast at grunt gallery.

A close up of the face and torso of Josée Tremblay's plaster costume, arranged on the floor. Still from Same line.

Nathalie Derome stands above a pile of wood and fabric and a stick of burning incense, speaking into the microphone. Still from Girouette-Weathercock.

Nathalie Derome's performance Girouette-Weathercock for FA3.

Victoria Stanton places an offering of cake at Josée Tremblay's feet. Still from (If) not for me (If) not for you.

Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.

Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.

Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.

Audience members watch the performance from the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Alastair MacLennan stands in a dark outfit, with his face obscured, holding a tall stick. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Victoria Stanton serves slices of cake to the audience. Still from (If) not for me (If) not for you.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Nathalie Derome sits with her guitar, keyboard, effects pedal, and pile of wood and fabric. Still from Girouette-Weathercock.

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Louise Dubreuil with a blindfolded audience member. Still from EYEIN' HAND, FEELIN' BEAT.