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Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.

Nathalie Derome shakes one hand side to side while holding a cigarette in the other. Still from Girouette-Weathercock.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Video documentation of Adult Female by Léa Donnan, live streamed from Australia and broadcast at grunt gallery.

Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.

Video documentation of the Al Neil History Tribute, performed by Krista Lomax, Carole Itter, and Ben Wilson. Includes a reading by Randy Gledhill.

An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay leans to the right as she emerges from her plaster costume. Still from Same line.