Digital Document
Essay in the Passport Sized Interference catalogue. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Brief from The Georgia Straight on the LIVE Biennial's funding and formation of a society. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article from the Westender's Artscetera column. Collected material for The Nova Library by Hans Winkler.
Digital Document
Item is an article titled "Inspector J.F.C.B. Vance: Today's Sherlock Holmes", from the magazine The National Home Monthly. Includes front cover of magazine.
Digital Document
Item is an article titled "Vancouver Police Department" from the magazine The Canadian Police Gazette, vol. 14, no. 6. Includes front cover of magazine.
Digital Document
Item is an article titled "Inspector Vance Retires" from the magazine The Canadian Police Gazette, vol 24, no. 1. Includes front cover of magazine.
Digital Document
Rough draft with edits for Camille Baker's article on Martin Beauregard. Collected material for Fireworks by Martin Beauregard.
Digital Document
Article from The Vancouver Sun reviewing Mo Sa'lemy's performance and commenting on the spectacle of performance art. Collected Material for LIVE Biennial of Performance Art 2003.
Digital Document
Ellen Fullman article in The Georgia Straight. Collected material for The Long String Instrument by Ellen Fullman.
Digital Document
Photocopied Fall theatre preview from The Georgia Straight including listing for LIVE Biennial events. Collected material for The Sniffy the Rat 10th Anniversary Bus Tour.
Digital Document
Item is an article titled "Test-Tube Detective" from Mclean's Magazine, vol. 47, no. 21. Includes front cover of magazine.
Digital Document
Item is an article titled "A Great Tribute" from the magazine The Canadian Police Gazette, vol. 9, no. 9. Includes front cover of magazine.
Digital Document
Section of text from Maurice Merleau-Ponty's The Intertwining: the Chiasm. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
Digital Document
Espace's Spring 2001 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article in the Canadian Forum's August 1999 issue on New Toxic Homes, a project by KIT. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Article from the Georgia Straight on Marlene Madison's practice and upcoming performance for LIVE at the End of the Century. Collected material for Little Miss Mira.
Digital Document
Brief and listings for LIVE events from Preview Magazine. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.
Digital Document
Article from The Canadian Forum discussing criticism and understanding of performance art, the history of the form in Vancouver, and LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.
Digital Document
Spanish essay on KIT in the Arquitecturas para el acontecimiento book. Collected material for Infrasense by Robert Saucier and KIT artist collective.
Digital Document
Essay by Alastair MacLennan in Europa: European Tour 1998-1999 by Black Market International. Collected material for Alastair MacLennan's Black Market International performance Rove Over.
Digital Document
Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.
Digital Document
Article in Simon Fraser University's The Peak article. Collected material for The Nova Library by Hans Winkler.
Digital Document
Brief article from The Vancouver Sun on funding for the LIVE Biennial from the Vancouver Foundation. Collected material for LIVE Biennial of Performance Art 2001.
Digital Document
Article from Raven's Eye (Volume 5, Issue 8) by Brian Lin. Retrieved from Aboriginal Multi-Media Society (ammsa.com). Collected material for LIVE Biennial of Performance Art.