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Stephen Anthony reads. Still from Stephen Anthony's first piece in the Performance Art Cabaret.

Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.

Terminal City Weekly's Calendar listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Five in person guests, across from a long projection of virtual guests, all chatting and drinking wine. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Press Release produced by Liminal Performance Group. Collected material for Objects for the Emancipated Consumer.

Jude Norris repairs the tipi using the carved cedar sticks. Still from Blue Lodge.

Roi Vaara in a suit crouches, dipping a paintbrush into a bottle of pigment. Still from Roi Vaara for Black Market International.

Curator Glenn Alteen introduces the performance. Still from Ablakela by Dana Claxton.

In person guests chat together, silhouetted by the projection of virtual guests across the table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Video documentation of Wireless Bodies by Ruby Truly.

Alastair MacLennan and audience members inspect a long table filled with plates of soil, plants, and footprint cutouts. Still from Rove Over by Alastair MacLennan for Black Market International.

Roi Vaara lays on the floor with his leg over a chair and a cup dangling from his bare foot into a bucket of water. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Bryan Mulvihill serves tea to seated participants. Still from Communitea: A Portrait of Tea in the Community hosted by Bryan Mulvihill and World Tea Party.

Bryan Mulvihill, in a tux, serves tea from a small teapot. Still from Communitea: A Portrait of Tea in the Community hosted by Bryan Mulvihill and World Tea Party.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Article in Parachute Magazine, Issue 96, October to December 1999, featuring BFO Projects (another name for KIT). Collected material for Infrasense by Robert Saucier and KIT artist collective.

Video documentation of Stephen Anthony's second piece in the Performance Art Cabaret.

Steven Anthony's pieces in the Performance Art Cabaret

Artist and work statement by Martin Beauregard. Collected material for Fireworks by Martin Beauregard.

Persimmon Blackbridge, Lizard Jones, and Susan Stewart read their scripts. Still from Borderline Disorderly.

Advertisement for Astrid Hadad's performance at The Chan Centre in The Georgia Straight. Collected material for Astrid Hadad y Los Tarzanes.

Essay in the Passport Sized Interference catalogue. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article in The Province on Astrid Hadad. Collected material for Astrid Hadad y Los Tarzanes.

Article in The Vancouver Sun on Astrid Hadad. Collected material for Astrid Hadad y Los Tarzanes.