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Kiss & Tell in dialogue during their performance. Still from Borderline Disorderly.

Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Spanish essay on KIT in the Arquitecturas para el acontecimiento book. Collected material for Infrasense by Robert Saucier and KIT artist collective.

A seated Marie Baker looks at the camera and raises her hands. Still from Kyoti Bites by Marie Baker.

Roi Vaara reflected in a small mirror that he holds up. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

Pamphlet for Jocelyn Robert's Catarina at Séquence Arts Visuels et Médiatiques. Collected material for LIVE Biennial of Performance Art.

A costumed David Yonge and a large crowd throw their hands in the air. Still from Yellow Diablo by David Yonge.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

A member of Liminal kneels as another places their hand on his back. Still from Objects for the Emancipated Consumer by Liminal.

Dolores Dallas reading a poem and pulling back her shirt. Still from An Apple is an Apple by Dolores Dallas.

Rebecca Belmore pushes a roll of plastic tubing across the projected floor of grunt gallery. Still from reservoir by Rebecca Belmore.

Rough draft with edits for Camille Baker's article on Martin Beauregard. Collected material for Fireworks by Martin Beauregard.

Marie Baker seated next to a reading light, looking downwards with her hands folded. Still from Kyoti Bites by Marie Baker.

A member of Liminal pulls another member up by hand. Still from Objects for the Emancipated Consumer by Liminal.

Kiss & Tell promotional photograph used in LIVE At the End of the Century print material.

Hot Tickets listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Victoria Singh holds a stuffed dog prop. Still from Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Photocopy of an Evening Post review for a Satina Saturnina's Satori at BATS Theatre. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Seated audience members at Video In. A projected diagram can be seen on the screen. 'Still from How to Predict the Weather Using a Pig Spleen by Ken Gregory.

Press release for Astrid Hadad y Los Tarzanes. Collected material for Astrid Hadad y Los Tarzanes.

Rebecca Belmore seated at the dinner table, across from projected virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Boris Nieslony stands, facing the wall, holding a large rock on his head, as the audience watches. Still from Boris Nieslony for Black Market International.

Article in Espace's Spring 2003 issue on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.