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Rebecca Belmore spreads sand from a black plastic bag across the gallery floor. Still from reservoir by Rebecca Belmore.

Jude Norris carves a cedar stick inside the tipi. Still from Blue Lodge.

Article in the Canadian Forum's August 1999 issue on New Toxic Homes, a project by KIT. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article from the Georgia Straight on Marlene Madison's practice and upcoming performance for LIVE at the End of the Century. Collected material for Little Miss Mira.

An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Alastair MacLennan stands next to a table set with plates of soil, wearing a bag full of plant material. Still from Rove Over by Alastair MacLennan for Black Market International.

In person and virtual guests, sat across from one another, chatting and sharing food. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Project proposal for Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Article in Parachute Magazine, Issue 80, October to December 1995, featuring Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Curator Glenn Alteen introduces the performance. Still from Ablakela by Dana Claxton.

In person guests chat together, silhouetted by the projection of virtual guests across the table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Video documentation of Wireless Bodies by Ruby Truly.

Dolores Dallas kneeling, wrapped in a blanket and holding a drum. Still from An Apple is an Apple by Dolores Dallas.

Roi Vaara in a suit crouches, dipping a paintbrush into a bottle of pigment. Still from Roi Vaara for Black Market International.

Stephen Anthony reads. Still from Stephen Anthony's first piece in the Performance Art Cabaret.

Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.

Victoria Singh lies in a small pool and sprinkles powder on a baby doll. Still from Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

Video documentation excerpt of the Al Neil Tribute Concert, 'Seeing It Through' by Gregg Simpson (drums), Clyde Reed (bass), and Paul Plimley (piano). Visuals of Al Neil's work mixed by Krista Lomax. Presented by Coastal Jazz and…

Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Bryan Mulvihill serves tea to seated participants. Still from Communitea: A Portrait of Tea in the Community hosted by Bryan Mulvihill and World Tea Party.

Bryan Mulvihill, in a tux, serves tea from a small teapot. Still from Communitea: A Portrait of Tea in the Community hosted by Bryan Mulvihill and World Tea Party.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Article in Parachute Magazine, Issue 96, October to December 1999, featuring BFO Projects (another name for KIT). Collected material for Infrasense by Robert Saucier and KIT artist collective.

An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…