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In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Character profiles and descriptions for the six episodes of the performance. Collected material for Objects for the Emancipated Consumer.

Article in Hour's May 13 to 19, 1999 issue on Robert Saucier's still can't fly. Collected material for Infrasense by Robert Saucier and KIT artist collective.

In person guests seated along one side of a long table, across from a projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Peter Conlin stands in the centre of his installation. Still from Freedom by Peter Conlin.

Lisa Deanne Smith, covered in flowers, walks with audience members who hold flowers. Still from Flower Girl by Lisa Deanne Smith.

Video documentation of The British Umpire by Hester Reeve, live streamed from the UK and broadcast at grunt gallery.

View of the Crying Room with groups of people mingling and sharing food. Still from Picnic by Mima Preston and Gareth Moore.

Rebecca Belmore seated at the dinner table, across from projected virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Article in Espace's Spring 2003 issue on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Peter Conlin stands in the centre of the Freedom installation, looking down. Still from Freedom by Peter Conlin.

A participant crouches, examining a note on the floor. Still from Freedom by Peter Conlin.

Six members of Liminal perform as the audience looks on. Still from Objects for the Emancipated Consumer by Liminal.

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Video documentation of Adult Female by Léa Donnan, live streamed from Australia and broadcast at grunt gallery.

Audience members and a computer are seen in the foreground. A projected screen reading: “THE BRITISHISH EMPIRE” is seen in the background. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and…

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A member of Liminal sits on the floor, as another lays on their lap. Still from Objects for the Emancipated Consumer by Liminal.

A member of Liminal answers a phone, surrounded by audience members. Still from Objects for the Emancipated Consumer by Liminal.

Article in ETC, Numer 62, June–July–August 2003 on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Peter Conlin and participants, including Glenn Alteen, gather in the Western Front. Still from Freedom by Peter Conlin.

Virtual guests projected onto a large screen, at a long dinner table, across from in person guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

A server pours wine for in person guests, including Glenn Alteen and Rebecca Belmore. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Lisa Deanne Smith wears a suit covered in flowers, and stands on a bench while audience members look on. Still from Flower Girl by Lisa Deanne Smith.