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A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A group of participants view Peter Conlin's Freedom installation. Still from Freedom by Peter Conlin.

Lisa Deanne Smith wears a suit covered in flowers, and stands on a bench while audience members look on. Still from Flower Girl by Lisa Deanne Smith.

French article on Robert Saucier's Aibo. Collected material for Infrasense by Robert Saucier and KIT artist collective.

A member of Liminal squats down to grab another member. Still from Objects for the Emancipated Consumer by Liminal.

Audience members and a computer are seen in the foreground. A projected screen reading: “THE BRITISHISH EMPIRE” is seen in the background. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and…

Video documentation of Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Five in person guests, across from a long projection of virtual guests, all chatting and drinking wine. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Press Release produced by Liminal Performance Group. Collected material for Objects for the Emancipated Consumer.

Rebecca Belmore seated at the dinner table, across from projected virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Article in Espace's Spring 2003 issue on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Peter Conlin stands in the centre of the Freedom installation, looking down. Still from Freedom by Peter Conlin.

In person guests seated along one side of a long table, across from a projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Peter Conlin makes a note with participants in the background. Still from Freedom by Peter Conlin.

Peter Conlin stands in the centre of his installation. Still from Freedom by Peter Conlin.

Character profiles and descriptions for the six episodes of the performance. Collected material for Objects for the Emancipated Consumer.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A large image of newspapers is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Espace's Summer 1999 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article in Hour's May 13 to 19, 1999 issue on Robert Saucier's still can't fly. Collected material for Infrasense by Robert Saucier and KIT artist collective.

One member of Liminal lays on the ground as another knees above them. Still from Objects for the Emancipated Consumer by Liminal.

In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Video documentation of Tent City by Rebecca Belmore, broadcast at grunt gallery and live streamed to audiences in the UK, Australia, and China.