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Press Release produced by Liminal Performance Group. Collected material for Objects for the Emancipated Consumer.

Peter Conlin stands over a table as participants gather in the background. Still from Freedom by Peter Conlin.

In person guests chat together, silhouetted by the projection of virtual guests across the table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Article in Parachute Magazine, Issue 96, October to December 1999, featuring BFO Projects (another name for KIT). Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article in Hour's May 13 to 19, 1999 issue on Robert Saucier's still can't fly. Collected material for Infrasense by Robert Saucier and KIT artist collective.

In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Video documentation of Tent City by Rebecca Belmore, broadcast at grunt gallery and live streamed to audiences in the UK, Australia, and China.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

One member of Liminal lays on the ground as another grabs their face. Still from Objects for the Emancipated Consumer by Liminal.

Audience members surround a tent while watching the performance. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Groups of participants near a side wall, chatting and eating food together. Still from Picnic by Mima Preston and Gareth Moore.

A participant views the Freedom installation, including writing on the wall. Still from Freedom by Peter Conlin.

A member of Liminal squats down to grab another member. Still from Objects for the Emancipated Consumer by Liminal.

Audience members and a computer are seen in the foreground. A projected screen reading: “THE BRITISHISH EMPIRE” is seen in the background. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and…

One member of Liminal kneels on the floor with their hands above their head. Still from Objects for the Emancipated Consumer by Liminal.

Six members of Liminal perform against the wall. Still from Objects for the Emancipated Consumer by Liminal.

Groups of participants chat and eat food together against a wall. Still from Picnic by Mima Preston and Gareth Moore.

Lisa Deanne Smith surrounded by audience members, who pick flowers off of her. Still from Flower Girl by Lisa Deanne Smith.

David Yonge seated against a wall at the Crying Room. Still from Picnic by Mima Preston and Gareth Moore.

LIVE curator David Yonge sits on the floor, watching the performance. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A tent projects an image onto the wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

One member of Liminal lays on the ground as another knees above them. Still from Objects for the Emancipated Consumer by Liminal.

Three participants gather in a corner. Still from Freedom by Peter Conlin.