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Two members of Liminal point guns at one another as the audience looks on. Still from Objects for the Emancipated Consumer by Liminal.

Espace's Summer 1999 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A member of Liminal pulls another member up by hand. Still from Objects for the Emancipated Consumer by Liminal.

Article in the Canadian Forum's August 1999 issue on New Toxic Homes, a project by KIT. Collected material for Infrasense by Robert Saucier and KIT artist collective.

An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

In person and virtual guests, sat across from one another, chatting and sharing food. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Article in Parachute Magazine, Issue 80, October to December 1995, featuring Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Peter Conlin stands over a table as participants gather in the background. Still from Freedom by Peter Conlin.

In person guests chat together, silhouetted by the projection of virtual guests across the table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Article in Parachute Magazine, Issue 96, October to December 1999, featuring BFO Projects (another name for KIT). Collected material for Infrasense by Robert Saucier and KIT artist collective.

An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

A group of participants view Peter Conlin's Freedom installation. Still from Freedom by Peter Conlin.

In person guests along one side of a table, silhouetted by a lit screen. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Flower-covered Lisa Deanna Smith raises her arms while surrounded by audience members. Still from Flower Girl by Lisa Deanne Smith.

Video documentation of Dinner For Corporeal and Radiant Beings by Dinka Pignon.

The back of a flower-covered Lisa Deanne Smith, surrounded by audience members. Still from Flower Girl by Lisa Deanne Smith.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Lisa Deanne Smith wears a flower-covered suit and stands on a bench in front of a white, while audience members look on. Still from Flower Girl by Lisa Deanne Smith.

Four in person guests at a table, silhouetted against the projection of virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.