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Nathalie Derome's shadow, seen inside a small backlit chamber made from fabric. Still from Girouette-Weathercock.

Boris Nieslony stands against the wall as Roi Vaara lays on the floor, next to a line of fish, lighting a cigarette. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Information on the three lead organizations of Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Video documentation of the Al Neil History Tribute, performed by Krista Lomax, Carole Itter, and Ben Wilson. Includes a reading by Randy Gledhill.

Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.

Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay stands still in her plaster costume. Still from Same line.

Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.

An image of a man in a Darth Vader mask and Hester Reeve is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Project proposal for Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.

Audience members lean against the wall as they watch a projected figure in white on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

A computer and projector sit in front of projected figures on a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Roi Vaara stands in a suit, with his head inside a cardboard box. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Sleeve for the Chiasma CD ROM, containing an artist statement, photos, and video. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

An image of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Members of HUMAN 5 sit on a milk crate and on the floor painting. Still from Human 5 by HUMAN 5.

Chiasma proposal by Folly Gallery. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.