Search Islandora Content

Kristine Stiles, at the podium, silhouetted against two projected images; one showing a drawing of six figures in uniform and the other of two children holding up an airplane. Still from Props For The Memory and Doing Wrong in the Work of Joseph…

Vincent Tinguely and Victoria Stanton hold a large map of the world while Louise Dubreuil tears through it from behind. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with…

Article in Simon Fraser University's The Peak article. Collected material for The Nova Library by Hans Winkler.

T. Paul Ste. Marie on stage, with eyes closed, holding the mic with one hand and throwing the other up. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent…

Members of Taste This perform in unision. Still from Too Close to Fire by Taste This.

Kiss & Tell in dialogue during their performance. Still from Borderline Disorderly.

Article on Chiasma in The Sunday Independent. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

View of the Crying Room with groups of people mingling and sharing food. Still from Picnic by Mima Preston and Gareth Moore.

Photocopied list of LIVE Biennial events with handwritten notes by photographer Merle Addison. Collected Material for LIVE Biennial of Performance Art 2003.

Shawn Bristow's hands hold an electric saw as he stands over a broken guitar on the ground. Still from Noisicians by Shawn Bristow.

Publication description and order form for LIVE at the End of the Century: Aspects of Performance Art in Vancouver, a companion publication to LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

A member of HUMAN 5 drills a painting of a face onto the wall. Still from Human 5 by HUMAN 5.

Lori looks down and frowns, with her hands on the YWCA storefront window. Still from One Hundred Housewives by Lori Weidenhammer.

A shirtless Mo stands in front of projected text regarding the World Bank. Still from Racism in Empire by Mo Sa'lemy.

Aaron Vidaver on stage in the background, audience members in the foreground, and someone standing to record with a videocamera. Still from Syntax errors: Counter-Interpellation Negative by Aaron Vidaver.

Aiyyana Maracle performs before a projected image. Still from Aiyyana Maracle and DB Boyko's piece in the Performance Art Cabaret.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Rodney Graham singing on stage, surrounded by his band. Still from Closing Reception with the Rodney Graham Band.

Fax cover sheet notifying the Vancouver Port Authority of the performance. Collected material from Feu de joie by Randy and Berenicci.

CV for the KIT artist collective. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Letter from the Morris and Helen Belkin Art Gallery to grunt gallery regarding the loan of an image of Andrea Fraser performing her work Museum Highlights: A Gallery Talk.

A member of Norma with obscured vision, standing in between other members arranged in two lines of four. Still from Walk, Walk, Shuffle by Norma.

Peter Conlin and participants, including Glenn Alteen, gather in the Western Front. Still from Freedom by Peter Conlin.

Window and right wall of the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Virtual guests projected onto a large screen, at a long dinner table, across from in person guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.