Search Islandora Content

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Preview article from Terminal City Weekly with comments by festival director David Yonge. Collected Material for LIVE Biennial of Performance Art 2003.

Print ad for the LIVE Biennial of Performance Art from Terminal City Weekly. Collected Material for LIVE Biennial of Performance Art 2003.

Programming brochure for LIVE at the End of the Century, October 1 – November 6, 1999. Includes event listings by date and venue, funding acknowledgements, and an introduction by Glenn Alteen. Collected Material for LIVE at the End of the Century.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A brick wall with a blurred glass door to the right is projected on the wall of grunt gallery. Still from Catarina by Jocelyn Robert.

Jim Cummins sings and gestures downward. Still from I, Braineater's piece in the Performance Art Cabaret.

Performers laugh together. Still from Lori Blondeau's Bleached.

Julianna, seated on a chair, winces while bring tattooed on the leg, in front of an audience. Still from Seamline by Julianna Barabas.

A performer at a table filled with bowls of various substances. Still from 7 Degrees.

Margot Leigh Butler speaks at a podium, in front of a projected image of an illustrated book. Still from Syntax errors: The honey's not far from the sting by Margot Leigh Baker.

Warren in the foreground, followed by Tagny, Meesoo, Judy, and Randy Lee. Still from re: live with Judy Radul, Warren Arcand, Meesoo Lee, Tagny Duff, and Randy Lee Cutler.

Lori in front of the YWCA window, in a wig, drinking from a martini glass. Still from One Hundred Housewives by Lori Weidenhammer.

Lezli sits cross-legged on the floor, spreading objects found from November 16-20, 2003 over a roll of paper. Still from Intimate Investigations by Lezli Rubin-Kunda.

A seated Mo reads from a laptop while a participant touches his face. Text regarding 9/11 is projected on a screen. Still from Racism in Empire by Mo Sa'lemy.

Vincent Tinguely and Victoria Stanton on stage, reading from sheets of paper. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent Tinguely and Victoria Stanton.

Fax cover sheet regarding fire permits for the performance. Collected material from Feu de joie by Randy and Berenicci.

Article from Raven's Eye (Volume 5, Issue 8) by Brian Lin. Retrieved from Aboriginal Multi-Media Society (ammsa.com). Collected material for LIVE Biennial of Performance Art.

Six members of Liminal perform as the audience looks on. Still from Objects for the Emancipated Consumer by Liminal.

Concert listings in The Georgia Straight featuring a short blurb on the Al Neil Project's performance at The Roundhouse Centre. Collected material for The Al Neil Project.

Fall season arts preview from The Georgia Straight highlighting exhibitions and events including LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

Artist Mo-Ling Chui stands next to a participant monitoring headphones. Still from Notes From the Lab.

Irene Loughlin and another person up on a fire escape. Still from Vertigo by Irene Loughlin.

Proposal sent to Glenn Alteen in June 2002. Collected material from White Trash by André Stitt.

Kerriann stands barefoot, next to a pair of moccasins, with her arms bent in front of her, fingertips touching. Still from A Mile in My Moccasins by Kerriann Cardinal.