Search Islandora Content

Globe and Mail article about Vancouver Jazz and the New Orchestra Workshop (NOW) Society and its original founder Paul Plimley. Collected material for The Al Neil Project.

Diane Landy at her table of objects and record players, talking with an audience member. Still from La Morue (Cod) by Diane Landry.

Brief article from This Magazine on LIVE Biennial and performance art in Vancouver. Collected material for LIVE Biennial of Performance Art 2001.

A wall projection of someone on a ladder underneath a plane. Still from Gravitation Off by Rob La Frenais.

Millie Chen and Evelyn Von Michalofski manuever their market cart. Still from The Seven Sauces by Millie Chen and Evelyn Von Michalofski.

Mark Laba pauses during the performance. Still from Cop Puppet by Clint Burnham and Mark Laba.

Louise leans against a stool while pointing a finger. Still from Taking in Strangers by Louise Moyes.

The Satina Droids hold feather duster and stuffed dog props. Still from Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

An audience gathered in front of a table with Aiyyanna, Kirsten, David, and Jamie. Still from The Future of Performance Art panel with Rob La Frenais, Kirsten Forkert, Jamie McMurry, David Yonge, and moderator Aiyyanna Maracle.

Dolores Dallas seated at a table with performance props, including apples, dolls, a basket, and a drum. Still from An Apple is an Apple by Dolores Dallas.

Article in brunt magazine on the Infrasense exhibition at grunt gallery. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Brochure for grunt gallery's fall 2003 programming. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Preview article from Terminal City Weekly with comments by festival director David Yonge. Collected Material for LIVE Biennial of Performance Art 2003.

Print ad for the LIVE Biennial of Performance Art from Terminal City Weekly. Collected Material for LIVE Biennial of Performance Art 2003.

Programming brochure for LIVE at the End of the Century, October 1 – November 6, 1999. Includes event listings by date and venue, funding acknowledgements, and an introduction by Glenn Alteen. Collected Material for LIVE at the End of the Century.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A brick wall with a blurred glass door to the right is projected on the wall of grunt gallery. Still from Catarina by Jocelyn Robert.

Jim Cummins sings and gestures downward. Still from I, Braineater's piece in the Performance Art Cabaret.

Performers laugh together. Still from Lori Blondeau's Bleached.

Julianna, seated on a chair, winces while bring tattooed on the leg, in front of an audience. Still from Seamline by Julianna Barabas.

A performer at a table filled with bowls of various substances. Still from 7 Degrees.

Margot Leigh Butler speaks at a podium, in front of a projected image of an illustrated book. Still from Syntax errors: The honey's not far from the sting by Margot Leigh Baker.

Warren in the foreground, followed by Tagny, Meesoo, Judy, and Randy Lee. Still from re: live with Judy Radul, Warren Arcand, Meesoo Lee, Tagny Duff, and Randy Lee Cutler.

Lori in front of the YWCA window, in a wig, drinking from a martini glass. Still from One Hundred Housewives by Lori Weidenhammer.

Lezli sits cross-legged on the floor, spreading objects found from November 16-20, 2003 over a roll of paper. Still from Intimate Investigations by Lezli Rubin-Kunda.