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Photocopied book review of LIVE at the End of the Century: Aspects of Performance Art in Vancouver from Artichoke Magazine. Collected Material for LIVE at the End of the Century.

Kiss & Tell promotional photograph used in LIVE At the End of the Century print material.

Hot Tickets listings including Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

One member of HUMAN 5 paints on the ground, while surrounded by other group members and an audience. Still from Human 5 by HUMAN 5.

Two performers costumed in a four-legged, two rear-ended organism at the end of the room, surrounded by pies on the floor. Still from Total Ass by Erin Stanley and Corin Sworn.

Photocopied fashion feature from Loop Magazine highlighting artists from LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

Letter of support for The Nova Library from Vancouver Coastal Health's Manger of Addiction's Services. Collected material for The Nova Library by Hans Winkler.

Window and left wall of the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Rehersal documentation

Photocopied book review of LIVE at the End of the Century: Aspects of Performance Art in Vancouver from Fuse Magazine. Collected Material for LIVE at the End of the Century.

Paul Wong performing, surrounded by monitors, projections, and cameras. Still from Re-Act by Paul Wong.

Poster for The Nova Library including the titles of the selected books. Collected material for The Nova Library by Hans Winkler.

Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.

Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.

Randy and Berenicci can be made out through an engulfed sculpture. Still from Feu de joie by Randy and Berenicci.

Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.

Kristine Stiles stands in the centre of the stage at UBC Robson Square. Still from Props For The Memory and Doing Wrong in the Work of Joseph Beuys by Kristine Stiles.

Aiyyana Maracle smudges. Still from Aiyyana Maracle and DB Boyko's piece in the Performance Art Cabaret.