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The audience viewed from on stage. Still from Notes From the Lab.

Performers mingle with audience members. Still from The Crash by Andrew McCully.

Four costumed performers on stage at Video In. Still from The Return of Talent Hut by Talent Hut.

Participants wearing a mask and a feather-covered helmet stand in between audience members. Still from I'll Show You Happiness by Bérangère Parizeau.

Parizeau dedicates her work to freedom and the demystification of enlightenment. In this piece she represents the dream state and explores themes of death and rebirth symbolically through the psychological hysteria of a clown. This piece unfolds…

Andrea Fraser addresses the audience. Still from Writer's Talk by Andrea Fraser.

Seated audience members at Video In. Still from How to Predict the Weather Using a Pig Spleen by Ken Gregory.

Credits and thanks projected onto two screens. Still from Hungry Ghosts by Paul Wong.

Members of Norma face the wall, standing with clothing wrapped around their heads to obscure their vision. Still from Walk, Walk, Shuffle by Norma.

Matching outfits and brightly coloured dance shoes were Norma's uniform for this performance that emphasized and undermined the boundaries that separate audience and performer. This performance was presented by Access Gallery.

A rubbing lays on the ground, reading: A BRITISH SUBJECT I WAS BORN. A BRITISH SUBJECT I WILL DIE.” Still from A Simple Truth by Rebecca Belmore.

In A Simple Truth, Belmore discusses her process of creating work through a narrative involving her connection to the suicide of a student with whom she worked with during a residency. During the performance, she lies down while being surrounded by…

A performer converses with an audience member. Still from The Crash by Andrew McCully.

Peter Conlin stands in the centre of the Freedom installation, looking down. Still from Freedom by Peter Conlin.

Letter to Daisie explaining the performance. Collected material from Feu de joie by Randy and Berenicci.

Wide-view of the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Flyer advertising Astrid Hadad's performance at The Chan Centre. Collected material for Astrid Hadad y Los Tarzanes.

Glenn Alteen sits on the floor surrounded by audience members and Bérangère Parizeau. Still from I'll Show You Happiness by Bérangère Parizeau.

Kerriann stands barefoot, next to a pair of moccasins, with her arms bent in front of her, fingertips touching. Still from A Mile in My Moccasins by Kerriann Cardinal.

Ken speaks from a table covered in electronics. Still from How to Predict the Weather Using a Pig Spleen by Ken Gregory.