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As figures, bees are efficient, industrious, mobile, manageable, and profitable workers; they make honey and pollinate the flora, diligently crossing between GM and non-GM crops and, in the process, they are themselves being modified, contaminated,…

In person guests, including Glenn Alteen and Rebecca Belmore, seated along one side of a long table. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Article in The Globe and Mail on Meredith Monk. Collected material for Chan Centre Concert by Meredith Monk.

List of Robert Saucier's submission slides included with the Infrasense proposal. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Reality is mirrored through video feeds that have real guests dining with virtual ones in this intimate and eerie experience. Video guests address real guests in arbitrary conversations as if they were able to see them. Guests can respond to the…

Character profiles and descriptions for the six episodes of the performance. Collected material for Objects for the Emancipated Consumer.

Dynamo presented Liminal's original production, Objects for the Emancipated Consumer, a multimedia spy drama and interactive performance and installation. Six characters searched for answers to an ambiguous series of past, present, and future…

Audience members enjoy the gathering. Still from The Crash by Andrew McCully.

Helena Goldwater stretches a fishnet stocking and speaks into the microphone. Still from pucker by Helena Goldwater.

Performance setting at grunt gallery. Still from An Apple is an Apple by Dolores Dallas.

LIVE at the End of the Century 1999 was the first LIVE Biennial of Performance Art and was conceived of and coordinated by Glenn Alteen and Brice Canyon. Eleven Vancouver arts organizations and countless individuals collaborated to produce five…

Kristine Stiles, at the podium, silhouetted against two projected images of three figures. Still from Props For The Memory and Doing Wrong in the Work of Joseph Beuys by Kristine Stiles.

Members of Norma stand in two parallel lines of four, with thumbs in their pockets, and clothing wrapped around their heads to obscure their vision. Still from Walk, Walk, Shuffle by Norma.

Vanessa, Kara, and Josh, in matching outfits, stand side-by-side, speaking into microphones. Still from The Comedians by Vanessa Kwan, Josh Neelands, and Kara Uzelman.

Rodney Graham at the microphone. Another guitarist can be seen in the background. Still from Closing Reception with the Rodney Graham Band.

Video documentation of The Nova Library opening reception and panel.

Photocopy of a Frame piece in Vancouver Magazine featuring LIVE at the End of the Century with selected recommendations. Collected Material for LIVE at the End of the Century.

Kristine Stiles speaks at the podium at UBC Robson Square Theatre. Still from Props For The Memory and Doing Wrong in the Work of Joseph Beuys by Kristine Stiles.

No other artist of the twentieth century who engaged in war on the side of doing wrong has been as celebrated as German artist Joseph Beuys. In an unprecedented examination of the way Beuys' iconography relates to National Socialism, Stiles…

A performer holds a chain connected to a disco ball, while Paul Wong records it with a video camera. Still from Re-Act by Paul Wong.

Lori in a blonde wig, gloves, and dressed in a white outfit, stands in the YWCA storefront window. Still from One Hundred Housewives by Lori Weidenhammer.