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Ken faces a seated audience at Video In. Still from How to Predict the Weather Using a Pig Spleen by Ken Gregory.

Select works from Gregory's series How to Predict the Weather Using a Pig Spleen were presented at Video In. For the month of November the studio was turned into a four week long working space as Gregory reworked technical elements of this…

Volt is "the electric body and its kinetic charge, the language used to depict acquisition - what attracts and repels desire. A continuing fascination, exploration, and re-invention of identity, the past, present, and future self..." -…

North Shore News announcement for the New Orchestra Workshop (NOW) Society's performance and other Al Neil Project events. Collected material for The Al Neil Project.

Josée Tremblay steps forward, breaking out of her plaster costume. Still from Same line.

Alastair MacLennan stands over a table, holding plants and grasses. Still from Rove Over by Alastair MacLennan for Black Market International.

In conjunction with the LIVE Biennial of Performance Art 2005, The Al Neil Project presented 4 evenings of interdisciplinary work by, and inspired by, Vancouver innovator Al Neil, a seminal force in the multi-disciplinary practices that have…

Josée Tremblay's performance Same line for FA3.

Print ad for LIVE Biennial of Performance Art from the Vancouver Writers Festival Catalogue. Collected material for LIVE Biennial of Performance Art 2001.

Rebecca Belmore stands barefoot at grunt gallery. Still from reservoir by Rebecca Belmore.

Programming poster for LIVE at the End of the Century, October 1 – November 6, 1999. Includes event listings by venue and funding acknowledgements. Collected Material for LIVE at the End of the Century.

Georgia Straight arts listings including the 2005 LIVE Biennial of Performance Art. Collected material for LIVE Biennial of Performance Art.

A participant views the Freedom installation, including writing on the wall. Still from Freedom by Peter Conlin.

Allen Fisher reaches his hand toward a projected image on a screen. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Bérangère Parizeau smiles while looking through a frame. Still from I'll Show You Happiness by Bérangère Parizeau.

Barabas illustrates the body as a vessel for energy, essence, and idea. A tattoo excavates the seamline between the front and back of the artist's body. The artist asks, what is the connection? what do we contain? and what is the nature of the…

Dolores Dallas shaking hands with an audience member. Still from An Apple is an Apple by Dolores Dallas.

Dallas creates a moving sculpture by transforming animal hides into abstract forms and sculptures, applying 'tattoo-like' designs and free verse poetry to the surfaces. The plains of the skins are screens into which she will project her…

Promotional portrait of Helena Goldwater. Still from pucker by Helena Goldwater.

Lori sits at a table in the YWCA window, wearing a wig and a dress, and crying out. Still from One Hundred Housewives by Lori Weidenhammer.

Audience members including David Yonge and Eric Metcalfe. Still from Theories and Hybridities with Kristine Stiles, Jocelyn Robert, Warren Arcand, and moderator Glenn Alteen.