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Print ad for the LIVE Biennial of Performance Art from Front Magazine. Collected Material for LIVE Biennial of Performance Art 2003.

Death on a Segway (Thomas Anfield) rides past as a car is about to be towed in the background. Still from Half-a-Tank by Radix Theatre.

Imagine a musical instrument with one hundred wires strung over fifty feet. This is the extraordinary Long String Instrument (LSI), developed over twenty years by internationally acclaimed composer-performer Ellen Fullman. For this marquee event in…

Stephen Anthony performs on stage. Still from Stephen Anthony's first piece in the Performance Art Cabaret.

Cover and article on Astrid Hadad in The Georgia Straight. Collected material for Astrid Hadad y Los Tarzanes.

Susan Stewart and Persimmon Blackbridge perform together. Still from Borderline Disorderly.

Full performance script written by Glenn Lewis. Collected material for Mondo Artie Episode #6070.

Judy Radul with a participant in the exhibition space at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul.

The audience viewed from on stage. Still from Notes From the Lab.

Performers mingle with audience members. Still from The Crash by Andrew McCully.

Four costumed performers on stage at Video In. Still from The Return of Talent Hut by Talent Hut.

In A Simple Truth, Belmore discusses her process of creating work through a narrative involving her connection to the suicide of a student with whom she worked with during a residency. During the performance, she lies down while being surrounded by…

Matching outfits and brightly coloured dance shoes were Norma's uniform for this performance that emphasized and undermined the boundaries that separate audience and performer. This performance was presented by Access Gallery.

A rubbing lays on the ground, reading: A BRITISH SUBJECT I WAS BORN. A BRITISH SUBJECT I WILL DIE.” Still from A Simple Truth by Rebecca Belmore.