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This is the front side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to John Malm.

Photograph of the second Cooperative Store, and the newly built third Cooperative Store in the background

The Répertoire culturel des ressources francophones de la Colombie-Britannique was published by the Fédération des Franco-Colombiens in 1989 in a softbound 8 ½ in. x 11 in. format. It seems to be considered Volume 1 of the series, though is not…

Based in Nelson, l'Association francophone des Kootenays Ouest (AFKO) provides programs and activities for the Francophones of the West Kootenays. Its news bulletin, La Voix des Kootenays (The Voice of the Kootenays) is published quarterly at…

Marlene Madison speaks with collaborator Coat Cooke in mock psychoanalysis. Still from Little Miss Mira.

A projected screen shows a figure making a snow angel in powder on the floor. Still from Intimate Investigations by Lezli Rubin-Kunda.

A projected screen shows a figure spreading a powder across the floor. Still from Intimate Investigations by Lezli Rubin-Kunda.

This is the newsletter of the Fédération Jeunesse Colombienne. It is an incomplete colleciton, from Jan. 1978 to [June?] 1980, with gaps. It was printed in folded 8 ½ in. x 11 in. format, then in 8 ½ in. x 14 in. format.

This is the reverse side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to Amanda Wartianen.

Mo and another participant are spotlit in front of the projected words “Future of Empire”. Mo is seated and wearing a hairdressing cape. Still from Racism in Empire by Mo Sa'lemy.

Participants seated with their backs to a table filled with plates and pots of food, surrounded by groups of standing people. Still from Picnic by Mima Preston and Gareth Moore.

Lezli sits cross-legged on the floor, spreading plant matter found from November 16-20, 2003 over a roll of paper. Still from Intimate Investigations by Lezli Rubin-Kunda.

The Bulletin de Nouvelles de l’Élémentaire was the newsletter of the elementary Brodeur school. This is an incomplete collection, from Nov. 22 1993 to Mar. 4 1998, with gaps. It has appeared in both 8 ½ in. x 14 in. and 8 ½ in. x 11 in. formats. The…

This is the front side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to D. Siider.

A participant experiences an audio-smell guide with artists Millie Chen and Evelyn Von Michalofski. Still from The Seven Sauces by Millie Chen and Evelyn Von Michalofski.

LIVE Biennial of Performance Art 2005 is the final festival featured in this collection. Coordinated by Jeremy Turner, LIVE 2005 saw the launch of a dedicated website listing festival events and the decentralization of photography duties from grunt…

Stiles, Robert, Arcand, and Alteen and the audience discuss the nature and veracity of performance art documentation, the impulse to document and publish as a function of arts institutions, and the interplay of theory born of intuition and…

Judy Radul and Geoffrey Farmer's collaborative work resulting from their excursions to Vancouver courtrooms. The artists examined the "cultural performance" that takes place within the court of law, a fertile 'stage' because…

"Take that paint!! Put it there!! You can do it!! Cause you care!!" After quitting art school, Gifford committed to a year-long regimen of physical training for cheerleading. She performs her "opening cheers" designed to unite…

This durational performance explores notions of fluidity in identity through a series of costumes, wigs, and make-up. Each costume or 'persona' of popular housewives (both real and fictional) was documented and produced as a series of…

This collection contains objects of general relevance to LIVE at the End of the Century 1999, including promotional materials, listings, and articles.

Alice was performed as part of ALA's Havana Gallery series and was curated by Lynn Hill. A monologue rich with moments of reflection and humour, Thirza Cuthand's Alice examines survival, visibility, and intersecting Queer and Indigenous…

Roi Vaara has been most active in Finland, becoming one of the country's most internationally recognized performance artists. His work since 1982 emphasizes an aesthetic discourse between the artwork and its specific place or situation.

Jeanne Randolph leans against a podium, in front of a projection of the painting Manuel Osorio Manrique de Zúñiga by Francisco Goya. Still from Syntax errors: Acting out, Play-Doh* and Doubt by Jeanne Randolph.