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Millie Chen and participants with the market cart. Still from The Seven Sauces by Millie Chen and Evelyn Von Michalofski.

André interacts with two audience members in front of his photo exhibition. Still from White Trash by André Stitt.

Jeanne Randolph leans against a podium, in front of a projection of a seated figure watching television. Still from Syntax errors: Acting out, Play-Doh* and Doubt by Jeanne Randolph.

Louise Dubreuil, wearing an animal mask on their head, speaks at the mic with their hands raised. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent Tinguely…

A musician accompanying the performance plays the accordion. Still from Borderline Disorderly.

A seated Mo reads from a laptop while a participant touches his face. Text regarding 9/11 is projected on a screen. Still from Racism in Empire by Mo Sa'lemy.

Lezli sits cross-legged on the floor, spreading objects found from November 16-20, 2003 over a roll of paper. Still from Intimate Investigations by Lezli Rubin-Kunda.

This is the reverse side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to John Malm.

This is a 2 sided certificate for shares, from the Sointula Cooperative Store Limited, issued to John Malm.

Millie Chen and Evelyn Von Michalofski manuever their market cart. Still from The Seven Sauces by Millie Chen and Evelyn Von Michalofski.

Nathalie Derome, Victoria Stanton, and Louise Dubreuil on stage at Cafe Montmartre. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent Tinguely and Victoria…

This is the reverse side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to D. Siider.

Justin McGrail holds up their arms, on stage, in front of the audience. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent Tinguely and Victoria Stanton.

A shirtless Mo stands in front of projected text regarding the World Bank. Still from Racism in Empire by Mo Sa'lemy.

Item is a newspaper clipping titled, "Identifies Victim." Unknown source and date of clipping.

This is the reverse side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to John Tynjala.

Le Chronographe was the newsletter of the Société d’Histoire des Franco-Colombiens, which became the Société d’histoire de Colombie-Britannique in 1992. It was printed in various formats, from Autumn 1983 to March 1988. This is a complete collection…

This is the front side of the certificate for shares, from the Sointula Cooperative Store Limited, issued to Sander Hayrynen.

This collection contains objects of general relevance to the LIVE Biennial of Performance Art 2003, including promotional materials, listings, and articles.

People gather on the dock at Granville Island. Still from The Seven Sauces by Millie Chen and Evelyn Von Michalofski.

This collection contains objects of general relevance to the LIVE Biennial of Performance Art 2005, including promotional materials, listings, and articles.

The final Sunday panel at grunt gallery of LIVE 2003, Trauma and Endurance engaged panelists and the audience in a discussion of laden performance: durational works addressing heavy topics, and their effect on perfomers. MacLennan, Nieslony, and…

The John Vance Fonds contains records related to the personal and professional activities of John Vance as a City Analyst and forensics investigator for the Vancouver Police Department. The records include both personal and professional…

Collaborative work by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.