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John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Josée Tremblay leans to the right as she emerges from her plaster costume. Still from Same line.

John Boehme stands in front of an abstract projected image, holding sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Judith Price wears rollerblades and a tutu while moving a TV on a rolling stand. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A close up of the face and torso of Josée Tremblay's plaster costume, arranged on the floor. Still from Same line.

One HUMAN 5 group member paints while two members and an audience look on. Still from Human 5 by HUMAN 5.

Nathalie Derome stands above a pile of wood and fabric and a stick of burning incense, speaking into the microphone. Still from Girouette-Weathercock.

Three members of HUMAN 5 work on their project in front of an audience. Still from Human 5 by HUMAN 5.

Audience members watch the performance from the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Three members of HUMAN 5 stand in front of their work, with their backs to the camera. Still from Human 5 by HUMAN 5.

Alastair MacLennan stands in a dark outfit, with his face obscured, holding a tall stick. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Four participants in the Western Front's kitchen. Still from Spending Time Together by Kirsten Forkert.

Victoria Stanton serves slices of cake to the audience. Still from (If) not for me (If) not for you.

One member of HUMAN 5 adjusts a work, while two other group members crouch and look on. Still from Human 5 by HUMAN 5.

A member of HUMAN 5 sits on the floor, working on a painting of a face. Still from Human 5 by HUMAN 5.

Kirsten Forkert on right and another participant in the Western Front's kitchen. Still from Spending Time Together by Kirsten Forkert.

An image of the backs of a man in a Darth Vader outfit and Hester in a white dress is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Nathalie Derome sits with her guitar, keyboard, effects pedal, and pile of wood and fabric. Still from Girouette-Weathercock.

An image of a man in a Darth Vader outfit standing with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

An image of a man in a Darth Vader outfit holding hands with Hester in white is projected onto a wall reading: “THE BRITISHISH EMPIRE”. Still from Hester Reeve's performance at Folly as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay stands still in her plaster costume. Still from Same line.