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Information on the three lead organizations of Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Folly Gallery Autumn 2001 programming brochure listing Hester Reeve's performance of 2001 a space odyssey – an excavation of truth on page 10.

Vancouver Sun article from November 10-16, 2005. Collected material for The Nova Library by Hans Winkler.

Article on Astrid Hadad's performance in Terminal City Weekly. Collected material for Astrid Hadad y Los Tarzanes.

Espace's Summer 1999 article on Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Program from the Al Neil Project performance at The Roundhouse Centre, presented by the New Orchestra Workshop (NOW) Society and Coastal Jazz/Blues. Collected material for The Al Neil Project.

Event brochure for 2005 LIVE Biennial of Performance Art. Collected material for LIVE Biennial of Performance Art.

Letter confirming travel assistance support from the Canada Council for the Arts to grunt gallery for the Performance Network Symposium. Collected material for the Performance Network Symposium.

Victoria Singh's CV from 1999. Collected material for Sector X: the hot new work by New Zealand fetish/punk artist Satina Saturnina.

On Stage at the Chan Centre for the Performing Arts Brochure: September 2005 - May 2006, including the listings for Astrid Hadad's performance. Collected material for Astrid Hadad y Los Tarzanes.

Globe and Mail article about Al Neil's life, work, and events dedicated to him in 2005's LIVE Biennial of Performance Art. Collected material for The Al Neil Project.

Article in the Canadian Forum's August 1999 issue on New Toxic Homes, a project by KIT. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article from the Georgia Straight on Marlene Madison's practice and upcoming performance for LIVE at the End of the Century. Collected material for Little Miss Mira.

Print ad for the LIVE Biennial of Performance Art from Art Actuel. Collected Material for LIVE Biennial of Performance Art 2003.

Letter from Boris Nieslony to Glenn Alteen, sent with information on Black Market International. Collected material for Black Market International.

Project proposal for Chiasma. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Article in Parachute Magazine, Issue 80, October to December 1995, featuring Robert Saucier. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Article in Parachute Magazine, Issue 96, October to December 1999, featuring BFO Projects (another name for KIT). Collected material for Infrasense by Robert Saucier and KIT artist collective.

The Vancouver Sun listings, including info on a talk by Meredith Monk. Collected material for Chan Centre Concert by Meredith Monk.

Card printed as part of a series for the Festival of Upper Austria Regions, June 22 to 30, 2001. Collected material for Boris Nieslony's Black Market International performance.

Brief article from This Magazine on LIVE Biennial and performance art in Vancouver. Collected material for LIVE Biennial of Performance Art 2001.

Cover page for the Infrasense binder. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Information on Léa Donnan's The First Ritual performance at Artspace in Sydney, Australia. Collected material from Chiasma by Léa Donnan, Rebecca Belmore, and Hester Reeve.

Globe and Mail article about Vancouver Jazz and the New Orchestra Workshop (NOW) Society and its original founder Paul Plimley. Collected material for The Al Neil Project.

Listings from Terminal City Magazine including LIVE Biennial. Collected material for LIVE Biennial of Performance Art 2001.