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A spotlight shines on a cello player surrounded by audience members. Still from reservoir by Rebecca Belmore.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Eric Metcalfe, Eric Cameron, Laura Baird, Bérangère Parizeau, and André Stitt at a table facing the audience. Still from the Process panel with Eric Cameron, André Stitt, Bérangère Parizeau, Laura Baird, and moderator Eric Metcalfe.

Marie Baker sits at a chair, under a light, reading from a folder. Still from Kyoti Bites by Marie Baker.

Listing for Too Close To Fire from The Loop. Collected material for Too Close To Fire.

A video camera, with the display screen flipped out, showing the top of John Boehme's head. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Jamie speaks at a table with Aiyyanna, Kirsten, and David. Still from The Future of Performance Art panel with Rob La Frenais, Kirsten Forkert, Jamie McMurry, David Yonge, and moderator Aiyyanna Maracle.

Three slow-moving Trojan Horses and a quicker-moving Bug travelling along tracks at grunt gallery. Still from Infrasense by Robert Saucier and KIT artist collective.

Projected image of two people walking hand in hand around stools. Still from Kyoti Bites by Marie Baker.

Zoë Eakle performs in costume. Still from Too Close to Fire by Taste This.

Louise crouches around feathers on the floor, with one hand held up. Still from Taking in Strangers by Louise Moyes.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Left wall of the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Irene, Roi, Alistair, and Boris sit together along one side of a table. Still from the Trauma and Endurance panel with Alistair MacLennan, Boris Nieslony, Roi Vaara, and moderator Irene Loughlin.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A burning candle nestled between projection-covered, water-filled, clear plastic tubes. Still from reservoir by Rebecca Belmore.

Louise looks out and points upwards. Still from Taking in Strangers by Louise Moyes.

Boris Nieslony stands and faces a wall, which he places his left hand on. Still from Boris Nieslony for Black Market International.

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

An audience gathered in front of a table with Aiyyanna, Kirsten, David, and Jamie. Still from The Future of Performance Art panel with Rob La Frenais, Kirsten Forkert, Jamie McMurry, David Yonge, and moderator Aiyyanna Maracle.

Article in brunt magazine on the Infrasense exhibition at grunt gallery. Collected material for Infrasense by Robert Saucier and KIT artist collective.

Louise leans against a stool while pointing a finger. Still from Taking in Strangers by Louise Moyes.

Audience members and panelists face one another in a windowed room. Still from the Collaboration panel with One Night Only, Lizard Jones, Randy and Berenicci, and moderator Susan Stewart.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.