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Detail of floor works in the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

André interacts with two audience members in front of his photo exhibition. Still from White Trash by André Stitt.

Too Close To Fire tour program including production credits, set list, artist biographies, and acknowledgements. Collected material for Too Close To Fire.

Roi Vaara stands in a suit, next to a table with a radio and antennae and a projector screen, with a birdhouse on his head. Still from Roi Vaara for Black Market International.

Video documentation of Boris Nieslony's performance for Black Market International.

Kerriann stands barefoot, next to a pair of moccasins, with her arms bent in front of her, fingertips touching. Still from A Mile in My Moccasins by Kerriann Cardinal.

A seated Glenn, Warren, Jocelyn, and Kristine look up at the audience. Still from Theories and Hybridities with Kristine Stiles, Jocelyn Robert, Warren Arcand, and moderator Glenn Alteen.

Roi Vaara blindfolded and standing in a suit next to a projector screen with curved lines on it. Still from Roi Vaara for Black Market International.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Video documentation of Taking in Strangers by Louise Moyes.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

A brick wall with a blurred glass door to the right is projected on the wall of grunt gallery. Still from Catarina by Jocelyn Robert.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

The audience faces a table with Eric Metcalfe, Eric Cameron, Laura Baird, Bérangère Parizeau, and André Stitt. Still from the Process panel with Eric Cameron, André Stitt, Bérangère Parizeau, Laura Baird, and moderator Eric Metcalfe.

A doll dress and other objects at Diane Landry's table. Still from La Morue (Cod) by Diane Landry.

Diane Landy at her table of objects and record players, talking with an audience member. Still from La Morue (Cod) by Diane Landry.

John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Boris Nieslony stands facing the wall as Roi Vaara dangles a cup into a bucket with his foot. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Publication description and order form for LIVE at the End of the Century: Aspects of Performance Art in Vancouver, a companion publication to LIVE at the End of the Century. Collected Material for LIVE at the End of the Century.

Keriann speaks to the audience. Still from A Mile in My Moccasins by Kerriann Cardinal.

A Trojan Horse slowly makes its way across grunt gallery. Still from Infrasense by Robert Saucier and KIT artist collective.