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Nathalie Derome's shadow, seen inside a small backlit chamber made from fabric. Still from Girouette-Weathercock.

Boris Nieslony stands against the wall as Roi Vaara lays on the floor, next to a line of fish, lighting a cigarette. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.

Audience members surround a tent while watching a projected image of trees and birds. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay stands still in her plaster costume. Still from Same line.

Louise Dubreuil communes with a blindfolded audience member while another looks on. Still from EYEIN' HAND, FEELIN' BEAT.

Josée Tremblay in her plaster costume with a slice of cake at her feet. Still from Same line.

A large image of a sign reading: “This is the other CANADA. The poor; now in your face!” is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester…

Victoria Stanton stands on the stairs, squinting in an expressive gesture. Still from (If) not for me (If) not for you.

Roi Vaara stands in a suit, with his head inside a cardboard box. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A large image of a gazebo and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

The performance setting on the loft, featuring candles and twisty branches. Still from (If) not for me (If) not for you.

A close up of performance props, including bones, drumsticks, bits of paper, and a glass of water. Still from Girouette-Weathercock.

Audience members, including David Yonge and Glenn Alteen, stand and sit around grunt gallery. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Nathalie Derome, wearing a plaid apron and a shirt that reads 'OKA' addresses the audience. Still from Girouette-Weathercock.

Nathalie Derome stands above a pile of wood and fabric and a stick of burning incense, speaking into the microphone. Still from Girouette-Weathercock.

Nathalie Derome's performance Girouette-Weathercock for FA3.

A video camera, with the display screen flipped out, showing the top of John Boehme's head. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Nathalie Derome emerges from the chamber, wearing a set of wooden bird wings. Still from Girouette-Weathercock.

Victoria Stanton places an offering of cake at Josée Tremblay's feet. Still from (If) not for me (If) not for you.

Victoria Stanton addresses the audience from a plinth, while her assistant operates a projector behind her. Still from (If) not for me (If) not for you.

Victoria Stanton and her performance assistant stand on the loft above the audience. Still from (If) not for me (If) not for you.

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.