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Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Judith Price stands in rollerblades and a tutu. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

A row of whole fish laying on the floor. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

A tent on the floor of the gallery, filled with audio-visual gear. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.

Josée Tremblay leans to the right as she emerges from her plaster costume. Still from Same line.

John Boehme stands in front of an abstract projected image, holding sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Judith Price wears rollerblades and a tutu while moving a TV on a rolling stand. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A close up of the face and torso of Josée Tremblay's plaster costume, arranged on the floor. Still from Same line.

Nathalie Derome stands above a pile of wood and fabric and a stick of burning incense, speaking into the microphone. Still from Girouette-Weathercock.

Nathalie Derome's performance Girouette-Weathercock for FA3.

Victoria Stanton addresses the audience from a plinth, while her assistant operates a projector behind her. Still from (If) not for me (If) not for you.

Victoria Stanton and her performance assistant stand on the loft above the audience. Still from (If) not for me (If) not for you.

Josée Tremblay's plaster costume, removed and arranged on the floor. Still from Same line.

Victoria Stanton places an offering of cake at Josée Tremblay's feet. Still from (If) not for me (If) not for you.

Audience members enjoy a moment of the performance with Louise Dubreuil and Josée Tremblay. Still from EYEIN' HAND, FEELIN' BEAT.

Louise Dubreuil's performance EYEIN' HAND, FEELIN' BEAT for FA3.

Victoria Stanton stands next to Josée Tremblay, encased in plaster. Still from (If) not for me (If) not for you.