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John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A burning candle nestled between projection-covered, water-filled, clear plastic tubes. Still from reservoir by Rebecca Belmore.

Audience members and panelists face one another in a windowed room. Still from the Collaboration panel with One Night Only, Lizard Jones, Randy and Berenicci, and moderator Susan Stewart.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Randy Gledhill, Susan Stewart, Lizard Jones, and members from One Night Only sit at a table. Still from the Collaboration panel with One Night Only, Lizard Jones, Randy and Berenicci, and moderator Susan Stewart.

Detail of footprints on the floor in the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Judith Price stands in rollerblades and a tutu. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Rebecca Belmore spreads sand on the gallery floor. Still from reservoir by Rebecca Belmore.

Lynx Dean plays the guitar. Still from Too Close to Fire by Taste This.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Ivan Coyote performs accompanied by Lynx Dean on guitar. Still from Too Close to Fire by Taste This.

Seated audience members sit facing Irene, Roi, Alistair, and Boris at a table. Still from the Trauma and Endurance panel with Alistair MacLennan, Boris Nieslony, Roi Vaara, and moderator Irene Loughlin.

Louise seated on a large ball, looking downwards, with hands raised into the air. Still from Taking in Strangers by Louise Moyes.

Irene turns to speak with Roi, Alistair, and Boris at panel table. Still from the Trauma and Endurance panel with Alistair MacLennan, Boris Nieslony, Roi Vaara, and moderator Irene Loughlin.

Marie Baker stands over a plinth, reaching for a reading light. Still from Kyoti Bites by Marie Baker.

Alastair MacLennan stands over a long table, set with dishes full of soil, at grunt gallery. Still from Rove Over by Alastair MacLennan for Black Market International.

Louise kneels on the ground, facing the audience, with one arm raised. Still from Taking in Strangers by Louise Moyes.

Jay Thompson sits at a computer as an image of a gazebo and trees is projected onto a wall and glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore,…

Eric Metcalfe and André Stitt at a table, looking up at a wall projection. Still from the Process panel with Eric Cameron, André Stitt, Bérangère Parizeau, Laura Baird, and moderator Eric Metcalfe.

Audience members and André look towards the corner that the TV is in (not shown in photo). Still from White Trash by André Stitt.

Eric Metcalfe stands at the end of a table while Eric Cameron writes on a sheet of paper. Still from the Process panel with Eric Cameron, André Stitt, Bérangère Parizeau, Laura Baird, and moderator Eric Metcalfe.