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Video documentation of Boris Nieslony's performance for Black Market International.

John Boehme facing the audience, drinking from a water bottle and holding up sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Video documentation of Taking in Strangers by Louise Moyes.

Video documentation (incomplete) of the collaborative performance by Alastair MacLennan, Boris Nieslony, and Roi Vaara for Black Market International.

John Boehme stands, looking down at a sheet of paper on the ground. A TV is on in the background. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Blindfolded audience members sit together during the performance. Still from EYEIN' HAND, FEELIN' BEAT.

John Boehme, holding sheets of paper, makes a face into a video camera. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Left wall of the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Irene, Roi, Alistair, and Boris sit together along one side of a table. Still from the Trauma and Endurance panel with Alistair MacLennan, Boris Nieslony, Roi Vaara, and moderator Irene Loughlin.

A TV on a low rolling stand plays a video of a figure sitting on a chair in a room. Still from The Performance Evaluation Review by Judith Price and John Boehme.

A burning candle nestled between projection-covered, water-filled, clear plastic tubes. Still from reservoir by Rebecca Belmore.

Audience members and panelists face one another in a windowed room. Still from the Collaboration panel with One Night Only, Lizard Jones, Randy and Berenicci, and moderator Susan Stewart.

John Boehme looks down, reading from the sheets of paper he holds. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Audience members seated against the wall next to Alastair MacLennan holding a large stick and covered in sheets of paper. Still from the collaborative work by Roi Vaara, Alastair MacLennan, and Boris Nieslony for Black Market International.

Randy Gledhill, Susan Stewart, Lizard Jones, and members from One Night Only sit at a table. Still from the Collaboration panel with One Night Only, Lizard Jones, Randy and Berenicci, and moderator Susan Stewart.

Detail of footprints on the floor in the Marginalia installation at grunt gallery. Still from Marginalia by Pam Hall and Margaret Dragu.

Judith Price stands in rollerblades and a tutu. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Rebecca Belmore spreads sand on the gallery floor. Still from reservoir by Rebecca Belmore.

Lynx Dean plays the guitar. Still from Too Close to Fire by Taste This.

Audience members, including David Yonge and Glenn Alteen, sit on the floor of the gallery, watching the video projection. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa…

Boris Nieslony standing with his arms down and slightly out, facing the audience. Still from Boris Nieslony for Black Market International.

Boris' feet at the wall with a tangle of string to his left. Still from Boris Nieslony for Black Market International.

Louise Dubreuil and another assistant fasten the back of Josée Tremblay's costume. Still from Same line.

Nathalie Derome, seated, uses two sticks to play an electric guitar in a slide style. Still from Girouette-Weathercock.

Louise Dubreuil leads a blindfolded audience member by the hand past Josée Tremblay in her plaster costume. Still from EYEIN' HAND, FEELIN' BEAT.