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John Boehme stands in front of an abstract projected image, holding sheets of paper. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Two performances occurred simultaneously in adjoining rooms. Each performance reflects the disparate bodies of work that the two artists pursue separately. When they interface with each other (either purposefully or accidentally) a third performance…

T. Paul Ste. Marie on stage, with eyes closed, holding the mic with one hand and throwing the other up. Still from Impure: Reinventing the Word: The Theory, Practice, and Oral History of 'Spoken Word' in Montreal with writers Vincent…

Members of Taste This perform in unision. Still from Too Close to Fire by Taste This.

View of the Crying Room with groups of people mingling and sharing food. Still from Picnic by Mima Preston and Gareth Moore.

Participants and project videographer on the bus. Still from The Sniffy the Rat 10th Anniversary Bus Tour.

Rebecca Belmore seated at the dinner table, across from projected virtual guests. Still from Dinner For Corporeal and Radiant Beings by Dinka Pignon.

Vanessa, Kara, and Josh, in matching outfits, stand side-by-side, speaking into microphones. Still from The Comedians by Vanessa Kwan, Josh Neelands, and Kara Uzelman.

A figure stands in a fur coat and a helmet with a horn and feathers attached. Still from I'll Show You Happiness by Bérangère Parizeau.

Participants gather off stage. Still from Notes From the Lab.

Jeanne Randolph leans against a podium, while Lorna Brown sets up the computer. Still from Syntax errors: Acting out, Play-Doh* and Doubt by Jeanne Randolph.

Seated audience members at Video In. A projected diagram can be seen on the screen. 'Still from How to Predict the Weather Using a Pig Spleen by Ken Gregory.

Allen Fisher stands and speaks to the audience at Blake's on Carrall. Still from the Monuments to the Future: Social Resonance in the Art of Joseph Beuys reading by Allen Fisher.

Costumed performers share a laugh. Still from The Crash by Andrew McCully.

Dana Claxton braids grass accompanied by Peyote Singers Johnny Mike and Verdell Primeaux. Still from Ablakela by Dana Claxton.

Glenn Lewis shot from below at the Vancouver Art Gallery. Still from Mondo Artie Episode #6070 by Glenn Lewis.

A shadow of a skiier projected on the wall at grunt gallery. Still from La Morue (Cod) by Diane Landry.

Tour participants seated on the bus wearing plastic smocks. Still from The Sniffy the Rat 10th Anniversary Bus Tour.

Judith Price stands next to a TV on a rolling stand and presses a large sheet of paper against the wall. Still from The Performance Evaluation Review by Judith Price and John Boehme.

Kiss & Tell promotional photograph used in LIVE At the End of the Century print material.

One member of HUMAN 5 paints on the ground, while surrounded by other group members and an audience. Still from Human 5 by HUMAN 5.

Two performers costumed in a four-legged, two rear-ended organism at the end of the room, surrounded by pies on the floor. Still from Total Ass by Erin Stanley and Corin Sworn.

A performer stands near the top of a ladder, holding a book, with another on their head. Three people are in various poses in the background. Still from 7 Degrees.

Boris Nieslony stands, facing the wall, holding a large rock on his head, as the audience watches. Still from Boris Nieslony for Black Market International.

A large image of arms and trees is projected onto a wall as glowing flashlights lay on the floor. Still from Rebecca Belmore's performance at grunt gallery as part of Chiasma by Hester Reeve, Rebecca Belmore, and Léa Donnan.