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Lost Satellite sho

; deal a. ata blow. to the | - fledgling program? =. |. the ryone comedy The i Two hour-long episodes of Loat Satellite’ convinced " ithe SCTV clone’ have been, -Loat Satellite 1s a product of

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they've got mole a on thelr afer Sipechstnel In Allercom Ltd... — | e: Bit head the i ands, Alberta an: »andon: company: that owns th’ “regulation. ‘ could create { Tor e ile others. IV avec Only” ‘question’: . the) United * States. ae _TFV.and Superchaninel. "|... roblems ‘for. the “show's” ! fare, going 0 far - ay, away! me fy $e oh remains: Will the canidin ~ network Showtime. CRTC regulations! ‘chia “future. “He Shes’ had” or i parody pay-TV itielt said sdding that ln falas ° Radlp-television They’ were -prodiiced at | pay-TV. ‘Heensess ‘feom. diaeuisions with the CRTC, - pind ‘one. skelch called * rb eriphala Will be pur ns Telecommuynications: : Edmonton's ITV television .” doing their own prodyetions “but. wold cot. say’ whether 2 : a i

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junoay. MAY 1

' goth isalori felis that would "_ Independent producers,

“PORONTO (CP) — As “dark as the winter's night may. be, there's always a

glimmer of- guiding Hght

_ shining through.

“This stims up a showing of . more than 70 paintings and .

+ other works by Maurice ’ Cullen, the Montreal - landscape artist who In 1908 was a founding member of - the Canadian Art Club, the leading exhibitor in its day of Canadian: impressionist

- palntings. on first scholarly’ study “Cullen's works in tesiien, organized by the Agnes Etherington. Arts “Centre. at

: Ont. | it currently is at the

“NEW YORK (AP) — sits thére In a‘ quiet corner ‘of. the . delicatessen, 7 * formidable, august-looking ~ matin the September of his ' years. The waitress arrives

totakehis order,

:" “Bacon, egge and some toast, please,” says John ' Houseman. His tone is

or using. their on facilities : for “auch veritures,- as tie.

" minimize ‘opportuhities for

Ed Richardson, executive” "producer of The. ‘Lost, * Satellite and manager of. » ereative - Gevelopment for .: .” Superchannel, sald the first’ © |’: two. eplaodes: escaped - -the _Teatelction because, they

~ Guiding

Queen’ 4. remarkable “

University in. Kingston, |

‘He:

Richardson,

-the show, they we'll'sell it to somebody else.” ~ Richardson sald. it" Isn't

likely. the ‘how ‘would, be-

taken’. to diferent

“art Gallery of Ontario and

will travel later. this year to Hamilton,.. ~. - Ottawa, ” Edmonton arid the Montreal Museum of Fine Arts. - ‘Robert Swain, director of the Etherington gallery, says. in’ the. ° catalogue

prepated by.- guest curator

Sylvia Antoniou of Ottawa ‘that Cullen “is. another of those figures whose name Js known, whose life ‘is not; whose - worke. have: been

- gollected . and sometimes

ilustrated, but not often seen,”

. He | describes ‘Cullen's

“an art, . of ‘apirit--. an visual - delight, -- an ‘immediate art bound. for

work. 88

‘Houseman busy

: The: career is varted, It includes not only : ‘theatre, but radio ~~ notably the War

of the Worlds dramatization. le, “North

America somewhat in- 1938; - film producing, the works

‘{neluding The Blue Dahlia . and Lust for Life, and film . acting; notably the Paper .

that . .. alarmed -

Chase. that eared him’ an:

: leasant, ‘his manner

cr Dhewtpotriting, - _{p-- Olicar- In 1972 and Aled- to -a~"

"Soup! ‘Salad + you expect him to come on CBS teries of the same ©

jike that. crusty, cold-ayed . ; Mashed or Baked Potato ~~ playéd in The Paper Chase. ‘ropped. But after. . Vegetables He's B)now, but still busy, completing co-star's_ work Dessert ; “His current project: in ABC's Windsof War: mini-~ Tenor Coffte:_ Directing an off-Broadway series, Houseman went

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revival of Mare Biltztein’s The Cradle Will Rock. He

: dipst produced It in 1087, The director then was a young

_ fellow named Orson Welles, with whom Houseman laer | helped with the film classic,

' Citlzen Kane. wae .

_ The new Cradle opens . May 9 and runs’ through May 29. Houseman calls it “a wonderful; wonderful - plece, full of memories for me, mo, ; .

Houseman, born. in Rumania and raised in England, the son of a wealthy grain merchant,

“has been involved in show business. since 1934 when, “by ‘pure accident, like so many things in my life, I met Virgil Thompson.”

“Thompson hired him’ to

- produce and direct his

opera, Four Saint. in Three Acts. And, Houseman says, “at that point my ‘career was determined. That was it. id

| | Congratulations GRAD ’83

_ back to the groves of:

academe. He recently made

Seven new . Paper Chase

episodes that are due for a cable-TV showing later this. year.

If that : and directing Cradle aren't. enovgh . to. keep him busy, he’s also writing-the third volume of. his autoblography. And. doing 40 to 50lecturesa year — mostly at colleges — on. the . - subject _ of show . business.

Funny. thing ig, he never. really set Gut to produce, write, direct or act, He loved: ‘show business but | ~reluctantly . followed his father into business. And as & young man he made a ’ fortune . here as a wheat "broker. _

Then he was wiped out in: - “the. stock crash. He says

he's glad it happened. “A. little bankruptcy never hurt . In fact, it was a liberation :

forme. T waa then able to do what I wanted to do."

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progress. had been | made. however, © fr stressed The ‘Lost ‘Satellite

“would not’ be scrapped. a on > think: At-would be foolish,” ~ he sald. “It it’s deemed that ~ Superchannel cannot take.

partis

we're hot ; now.” zs Richardson said the : holdup is‘the weather, since.’ half of the show ig shot” at

“interrupts: « exterior locations, ara

: » Programs,

lights shine. through

studied. painting In France‘ before ‘the turn: of the -.century, He had a sttong speaking -Anfluence on generations of.

popular if quiet appeal.” ” Cullen was. bom “in Newfoundland in’ 1866 but grew. up ‘In Montreal and.

ly revolves. araind , a lost: . - satellite dn. Space: “which - ‘, conventional “sald

7 suggestively:: ‘Lato: the - “* camera while | a ‘bared voice ; tells the viewer to join..in : jand, “Breathe. “Breathe.” . Another Js. a game show

Walter, :- :--in _ whieh participants - are: “asked to | , Random,

" artiats - “from’ both - the English-and'- © French: communities, including William Brymner,

ve oa ‘on. ‘lempooning - tele

palaaling ‘music, ‘outing

“with ‘the ti Smells; ‘Like *

ARentity the : owner of

dark nights

’ often. reproduced ‘in. -high-

- . hy : : . moe

Record Reviews Don schatter |

_ school textboocs, ” are

’ - musie with no’redeeming social value ' whatsoever, and in fact sll three ‘of ‘the

BLINDED BY SCIENCE. Thomas Dolby. Harvest Records (MLP-1507), _ Thomas Dolby’s Blinded By Science, a

selection of cuts off his first album The _

Golden Age of Wireless that got. goosed with a little extra production and slapped ona mini-LP, is one of the few short long players’ that’s worth the money.

The big hit, of course, Is She Blinded Me 7

With Science, ‘an engaging techno-rocker

made all the more fun by the Interjections .

throughout by honest. to-Pete scientist Dr.

Magnus Pike, ‘That cut.and the other on. side one, One of our Submarines, make the,

$5.98 price worthwhile, since the first Is a - - neat-dance-tune-with-a-sense-of-humor,-—-- rare in the electronic music category, and

the next is a semi-serious ballad about a

missing sub somewhere in a channel Tun ©

aground,

One of our Submarines Is a surprisingly : ~ successful, mood. piece, hypnotic and

interesting at the same time, and just to

prove how good it ‘is, it's “Nstenable’ throughout ‘the . entire seven minutes it.

runs, Good stuff,

“Side two is a bit less ear-catching but a still worth putting on. Never boring and. ~

sometimes darn good, Blinded by Science almost makes you want to go. out and by

. ithe LP the songs came from, just to hear if

_ they're anywhere near as ‘goad. .

THE SAFETY: DANCE, Men Without Hats, Statik Records TAK 112,

On the cover; The Safely Dance is billed ~ as the “extended club mix’ of a single - that’s been around ‘awhile; in: fact since

Men. Without Hats’ first album came out

last year. This is a 45 rpm extended play

tZinch single, geared specifically for those __ who don't mind getting up and changing

- therecord every four minutes and shelling

outa whole pack of bucke for three songs; _ The songs aren 't bad, if you like dance

: Sound in’ Terraesi: eS

numbers in the package are all right, But, you know, they aren't all that great and if you really Ilke the songs, why not buy the’

whole album’ ‘for just-a + couple of bucks: 7 more? . ‘ “CARGO. - Records’ (Qc 38660), - .-” ‘Fhe paranoia that showed up in Men At -Work’s first single, Who Can It Be Now, — seems to-have overtaken the fe on its

Men ‘Al Work. ’ Columbia

second album, Cargo. Sort of] a reverse effect of success, in which putting out anything and expecting people to eatit up, head writer Colin Hay seems to

* feel that.no matter what he does no-one

will like it.

_. Cargo's- mood is very. ‘different than Busineds as. Usual, their first ‘record. While that one was mostly upbeat with just a couple of reflective songs, Cargo is mostly. reflective with only two or three

really bouncy numbers, "But it’s good. - . In fact; Cargo Is probably a. better

? a. record than Business, alth it's a bit’ | .. harder to. get into. Bae Usual

reached right. out and grabbed you from ~ the moment you put it on, while the music

on Cargo sort of sneaks Wp on the listener. and lakes two or three Ustenings to really’ .-

* captivate;

‘painting borrowed ‘fram the

- the ‘church — facade . which

ther, than © offer: comfort in. the ‘eold.

_ hopeful element .in nearly

© Christopher. Gare; ane of the: "performers, * : “olen "t worrted ‘about the: inevitable ‘comparison to SCTV,:

mora giveri the. opportunity to get aff the ground, I think Loal Satellite will be funnier than: scry, " whe sald.

Mare-Aurele de Foy, Suzor- Cote, Clarence- Gagnon, J. W. Morrice, Edwin Holgate and Robert Pilot: : -

His best-known Works,

snowy, wintry scones, like St. James Cathedral seen in. " -mnowstorm | across Deminion Square in Montreal’ with a “bine of horses, hitched. ‘to . thelr habitant- stylesl sighs, hanging their” /sheeds forlornly. 7

But ‘even here _ something “that: - often poorly “oa “dn reproductions of ‘the 1916

Beaverbrook: Art: Gallery in Fredericton — ‘there are lights shining through from

“And light, - , ‘almost invarlably ‘ahining: through from’ behind - the: main picture - subject, is. ‘the

all of Cullen's work on display.

‘Scheider | | Versatile.

BEVERLY HILLS, Clif. (AP) — “No, not, another cap movie,” sald actor Roy

- The basic sound is still the same: Colin . Hay's distinctive, nasal -vocals, lota of

guitar from Ron Strykert, the saxophone +) melody lines aad the’ slightly reggactied

beat still remain from the first album although a bil toned down, =~

Most of the darker mood on Cargo comes from Hay's lyrics, though, The two

i Strykert compositions, Settle Down, My Boy and [ Like To are most like the mood from. the first. album and lack- of ;

introspection of most of Hay’s material;’ For instance, the opening, words to Blue for You:

see the light ...°’ Or how about these from.

Overkill: “I can't get tosleepI think about the implications Of diving in too deep And -

possibly the complications, . : It's not exactly Man Down ‘Under, but the Men

seem to carry this all off without becoming

depressing in the least,

Their musical, Ipfectiousness ds the key.

_ to the success ‘of the record, as it was on the first one, and. it's ‘not -all downbeat,” . after all. If you give it a couple of turns on

the box, you'll like ita lot, ‘If you Rive ita

_ Records donated fer review by sien and

. the theatre, But in filma, he ” the pallee image... That's

; ‘forthcoming Blue Thunder?

. uniform in the movie,” he

“Sometimes the sun shines in -

And Iclose the blinds Cos I can’t stand to Los... Angeles

_nightmares. He is entrusted

three pages of the script, I . . Couple more, you may even. like . Cargo. " betler’than their first. wot

said, . ‘Oh, mo, ° not helleopters,”’ |... ‘Scheider © Tevailed. ., “Té- brought | up

“Serving Fi ine actly 7 days a. a week?” - Breakfast, tunch and dinner . 635 4307

. making... The “ Sorcerer. Every -day. “‘Tteok a -helicopter: ‘75 miles ‘from Santo “Domingo - into the ‘jungle and back -at. night. "

the script, I sald, *Walt a ~ minute,’ this could: be" not

" pictire but: one : with an “impo

~ Departinent ‘reeénily | said it planned)" to’ “buy ; spectal

-_ |» helicopters*in time to deal = with paste ©

2 probleme. dlurliig : the "1084 +” Summer: Olympics,.. which ak wlll be held si Loa Angeles.

Scheider’s agent, ‘Not after what we've been. ablé to accomplish: with All That Jazz,"" -

The. agent had cause for concern. Scheider proved himself a versatile actor in

has been overwhelmed by‘

because of two enormous hits, The French Connection and Jaws. . -

All That Jaze seemed to. , change that. He portrayed a choreographer ‘with . heart disease in Bob.. Fouse's autobiographical movie and earned a nomination from thé Nattonal Academy of | Motion Picture Arts and ° Sclences. -

So. why would he. play another. cop’ in -'the .

“You notice 1 never wore #

gaid. ° ..

“And he doesn't He plays Police Department - helicopter pilot, a Vietnam, veteran still. haunted by.- war

to test the - federal government's . newfangled plane, desi ed to seek and: ‘destroy - terrorists .~ who might - disrupt the 1904 Olympic” Games." ““When [read the ‘first.

‘memories. of when 1 was

“But when I read more of

only, ‘ao very” Commercial

The: LoaAngeled Police

camera-equipped

- security