and that lead oe work ; ail around him, Ges pleak of credit tote Robbins as well, ad horror over- : ae (fim : ee i who holds it all together with a sympathetic _ performance that remains solidly focused throughout the film’s many transportations. _ Itis the young actor’s juiciest part yet and he makes the most of it. This film should break him as a major star. With all is stylich direction full of dark _atmosphere and creepy visual touches, and _a chilling, weird story that seemed to be heading in some truly interesting and Provocauve directions, this picture promised much. When it’s all over, however, the cumulative ef- or he is losing his grip fect is one more of puzzle- ment than revelation. writer Bruce Joel Rubin, this is the first project form director Adrian Lyne since his 1987 Fatal Aitraction : success. Given the enormous — popularity of lyne and ~ Rubin’s respective most recent efforts, this pairing on his sanity. Working = = aS —— = = from ascript by Ghost = = VOESCreen ‘By DAVID RYLAND Jacob's Ladder proves an intense, — frequently confusing climb, but for many the journey itself will be far more interesting than what lies at its conclusion. Also starring Elizabeth Pena, Danny Aiello and Matt Craven. *** (R) Lan- guage, violence, gory scenes, nudity, would seem a shoe-in for big box office returns. But while long lines of ticket holders yall certain- _ ly fill the pockets of the film’s creators, they won't help to fill in large gaps in the plot construction and narrative logic that become more troubling and confusing as the story moves along, finally reaching an unsatisfac- tory, and some might say, cop-out conclusion. It’s not all bad news, though. Lyne’s flam- boyant visual sense is as sharp as ever, and _ his bleak, oppressive vision of New York City _ is as hellish as anything Martin Scorsese ‘Might conjure up. Rubin’s seript (which had been kicking around Hollywood for years before his Ghost story hit big) contains less of the simpering sentimentality that punctuates his better known work (although characters do once again tend to cry all of the time), and its baffling, scary twists and turns will definitely keep your attention. METROPOLITAN (Roxy) The concerns, perspectives and frustra- tions of a small group of upper-class Park Avenue young adults spending their time at dances and parties during cotillion season is the focus of this low-key film highlighted by fresh performances and posh Manhattan Christmastime locales. Writer/director Whit Stillman tries hard to “make the point that these rich kids suffer the same emotional and social problems that anyone must deal with (except they get to tough it out in $1,000 tuxedos and dresses at late-night cocktail parties), but the presen- tation is hindered by a lot of intellectual rambling on the part of the characters and technical amateurishness on the part of the filmmaker. A few bright moments of humor and personal reaction to this effort will be one of, (Who cares?” ** (Mature) Language. frightening and sometimes. = THE —— ae PRESENT INC wy! F IREPL. LACE PRODUCTS e A CLEAN, CONVENIENT FIRE e INCREDIBLE HEAT CAPACITY e HIGH SAFETY, 84% EFFICIENCY CHOOSE FROM OUR FULL LINE OF WOOD AND GAS FREESTANDING AND FIREPLACE MODELS THE REGENCY GAS FIREPLACE A THE OPEN MON. - SAT. be HEAT VISIT OUR FIREPLACE STORE NO OBLIGATION ee SAVERS 210 - 3214 DOUGLAS ST. ESTIMATES ————— INC VICTORIA 383-3512 Continued from Page 20 UVic Big Band in a free concert. Tickets 721-7903. 47 The Canadian Scottish Regiment (Princess Mary’s) — to present Pip- er's Dream, a variety show taking place at the Bay Street Armoury in Victoria on the evening of Nov. 30. It will be a thrilling evening of music featuring the pipes and drums of the Regiment, dances and songs from around the world and magic. Tickets are $10 and $15, available through the Orderly Room of the Canadian Scottish Regiment, 388-3818, or at Sweet Dreams Boutique, 636 Broughton St. Doors open at 7:15 pm. Performances start at 8 pm. There is no reserved seating. 48 The Whistling Gypsy Centre for Community Music — presents Holly Near and Judy Small in Concert, Wed., Nov. 21, 8 pm, McPherson Playhouse. 386-6121. Tickets $15 adult/waged; $13 student/senior/un- waged. Available McPherson Play- house box office; Mezzrow's Re- cords: Hillside Ticket Centre; Tan- ners Bookstore (Sidney). Doors open at 7:15 pm. Purcell String Quartet — in concert, Fri., Nov. 16 at 8 pm. North Park Gallery, 1619 Store St. Tickets - $12 student/seniors $8. Ph. 381-3422. 46 Felicita’s Weekends — Fri. and Sat. nights from 9:30 pm to 1 am. $2 cover charge. Nov. 16-17: Feature performers Shovelhed. Those boys with an attitude are back with their jazzy, hardcore, funk sound. Pro- duced by UVic Student's Society SUB Productions. Continued on Page 22 650 View St. FABRICS. IMPORTED ie European Woollens ¢ Quilted Cottons ¢ Wool Shawls Fou. Scasons- Fabrics eee : ON SALE_& _Ip WARVEY SCHMIDT nom JONES 93 & 28 46, 1/5 EMBER 45, ae 1S. 4026 po PM GOLDSTREAM STAGE WEST PLAYERS presents THE LONGEST RUNNING OFF-BROADWAY SHOW Director malt WRIGHT 9:00 pM MATINEE TICKETS — $10.00 SENIORS & STUDENTS — $ 8.00 VENUE TICKET OUTLETS: SALVATORES, Sooke, B.C. © IDA PHARMACY, Westbrook Mall, Langford, B.C. A& BSOUND, 641 Yates Street © HILLSIDE TICKET CENTRE ¢ McPIHERSON TICKET OFFICE, Victoria, B.C. PRINTING SPONSOR HILLSIDE “eo Printing Book oi JOE MASTEROFF Music by JOHN KANDER Based on the Play by JOHN VAN DURTEN and stories by CHRISTOPHER SHERWOOD Directed and Choreographed by BILL JOHNSTON TICKETS $13 & $15 Box Office ees TOSHIBA VICTORIA OPERATIC SO@OClETY AND TOSHIBA OFFICE PRODUCTS GROUP PROUDLY PaeSENT Produced by SUZAN BRILLINGER PERFORMANCES Thursday, Friday and Saturday Evenings through December \st MATINEE (2 forthe price of 1) Sunday, November 18th McPHERSON PLAYHOUSE Musical Direction by CHARLES HARMAN SENIOR & STUDENT] PRICES AVAILABLE 386-6121