ne GUIDE TO GOOD READING Book Union selection dramatic novel of new Czechoslovakia THE EYES OF REASON by Stefan Heym (McClelland, Stew- art), which is the current Book Union selection, is a fascinating and illuminating story of what happened to three brothers in postwar Czechoslovakia. The Renda brothers come back to the little town of Rodnik in Czechoslovakia after the Red Army had driven the Nazis out of their country. The» eldest, Joseph, had been an officer in a Czech squadron -with the Royal Air Force. He took over the ownership of the Benda Glass Works again, and brought them back into production. Later the works were national- ized and Joseph made their man- ager. Trying to regain ownership of the factory he became involv- ed in the struggle to prevent the development of socialism in Czechoslovakia. Thomas, who was a writer, had been doing publicity work in Am- erica during the war, where he became known as the Spokesman of Czechoslovakia. On his return he found it hard to adjust to new ways of life and do creative work as a .writer. He began a long painful study of the nature of freedom. In the end he came to understand that the American idea of freedom, free- dom for the exploiters, was false. He came to see that the coop- erative freedom of a socialist so- ciety was real freedom, even though it also meant the accept- ance of responsibility and dis- cipline. Thomas, however, lacked the will to fight for socialism, and to overcome the bourgeois outlook in himself, and so he committed suicide. . Karel, the third brother, had survived Buchenwald, where he had used his medical skill to help others to live. The experience had madé it clear to him which side was the side of the future and life. With some hesitations, PLAY WELL RECEIVED it could be shown. orial Fund. ‘Stoolpigeon’ at Royal City VANCOUVER THEATRE of Action’s new produc- tion, Stoolpigeon, drew a, good audience at Tatra Hall, New Westminster, last Sunday night, attracted by the discussion and controversy the play has aroused since its opening performance in Vancouver two weeks ago. With the breaks in continuity, caused by frequent and long scene changes, which marred the opening per- formance. now jargely overcome, the play ‘was well ‘received; and in the discussion that followed the theatre group was urged to take the play to other centres, and particularly to trade union raudienceg wherever Néxt presentation of Stoolpigeon will be at the AUUC Hall, 805 East Pender Street, here on June 15. when it will be staged-in aid of the Shevchenko Mem- e ARTS FOR THE PEOPLE New Democracies fight ~ for cultural “J DO NOT want art for a few, any more than education for few, or freedom: for a few,” said , William Morris as far back as 1877. : ‘And 11 years later he defined his view of the purpose of art— “To increase the happiness of men, by giving them beauty and interest of incident to amuse their leisure, and by giving them hope and bodily pleasure in their work; or shortly, to make man’s work happy and his rest fruitful.” It is a good, working definition, even today. It describes what sort of paintings, books and music people really need under capital- ism. And if it is true of capital- ism, it is a hundred times true for socialist society, where the many have triumphed over the few. 538s But things are not quite as easy as that. You can nationalize a bank, a railway, by means of a decree. You can plan a country’s economy with a slide rule, a good staff of statisticians and a set of sound principles. You can arrest a@ saboteur and reorganize a police force. ‘i All these things can be done when power is in the hands of the people. : revival But no decree produces a book which will inspire working peo- ° ple and give them confidence in the future. ‘There are no slide rules which ean serve to compose great sym- phonies that people will listen to enraptured. To produce the new art which will «serve the new society, patience, understanding, a crystal- clear theory, constant trial and error, and genuine help to the creative artists are needed. Not surprisingly, a great battle is raging around this topic in the Peoples’ Democracies today. They are countries building Socialism. They reject, under- standably, the triviality, pessi- mism and fog-like obscurity of the writing and painting they used to have. They ask their artists to do something better, brighter, more hoeful, more in tune with the times, \ So today in Hungary, Czecho- slovakia, Rumania, Bulgaria, Po- land, even in little Albania which is experiencing a remarkable cul- tural revival, this fight is being conducted for as big a revival in the arts as there is in in-, dustry, agriculture and life it- self—DEREK KARTUN. he came to pull his full weight in the work and politics of build- ing a socialist Czechoslovakia. * * * THE EYES OF REASON is a story with, particular meaning for us in the capitalist world. It helps us to pierce the confusion with which the bourgeois press cévers the events by which the Czech people took the road to socialism. ‘ We can see how a (Czech cap- italist could come to oppose the welfare of his own people, en- gage in dounter4revolutionary activity, and join with American imperialism to restore the old - order. In Thomas we can understand how a man like the younger Masaryk could believe in the futuré of his people under so- cialism, and yet commit suicide rather than join them. Most important of all, from Karel we can learn that socialism offers a new life to everyone, even those with bourgeois back- grounds, if they will only give their talents to thé welfare of the people. Because The Eyes of Reason probes deeply into the true nature of freedom, it helps us to see bet- ter the real issues in the contro- versies which rage around this world. It helps us not only ‘to realize the meaning of the con- cepts of freedom which are be- ing developed in the New Demo- cracies. It also makes it easier for us to see through the shams that are put forward in free- - dom’s name under capitalism. For instance,. Stefan , Heym’s portrait of Elinor Simpson, an American woman who writes a syndicated newspaper column, helps us to see the American freedom of the press for what it really is. We see how American journalists abroad work leand in glove with their state depart- ment. We see how shoddy is the claim of American journalists to write with freedom and, knowl- edge. ; : * * * A WEAKNESS of the novel is that it is perhaps too much con- cerned with making us under- stand how the dying elements in Czechoslovakia came to the end they did. Although the scope of the novel is broad and mclusive, it hardly seems to place enough emphasis on the dynamic will to a better life of the Czech work- ers and their Communist party. Also, there are few youthful char- acters in the book, and no one who could be considered to speak fully for the energetic and joyful young people Democracies. Another weakness is that the organization of the counter-revo- lutionary forces takes place off- stage. It is not brought out sharply enough that the\ Ameri- can government is the chief pro- moter of such activity, that such © ‘activity can only lead towards war, and that the most important thing today is for all people everywhere to stop the warmak- ers. But in spite of its faults, The Eyes of Reason is an important and dramatic novel. Its char- arters are convincing and drawn from real life. From real life it passes on to us the conviction . that the common people of the world can decide their own des- tiny and build their own society. This book will make it harder for the American imperialists to trap the common people into hat- ing their brothers in other lands who are building a better world. rs ‘ of the People’s“ NOW BEING PREPARED and Egypt. Marxist world history — A GROUP OF Soviet historians headed by Acade- mician Boris Dimitrijevich Grekov, director of the Moscow Institute of History, is now preparing a seven- volume Marxist World History. Soviet historians are also working on the histories of Poland, Bulgaria, Czechoslovakia, Britain, Germany, Spain, Turkey, Iran, the Far “East, the Arab countries The Academy of Science of the Soviet Union is now publishing’ a ten-volume History of the Soviet ' Union and a six-volume History of Moscow. ‘BIGGEST THIEF IN- TOWN’ UJPO Drama Workshop play opens this week WHEN THE Drama Workshop of the United Jewish People’s Order opens with The Biggest Thief in Town for a week’s run at the Everyman Theatre, 2237 Main Street here, ,this coming Monday, June 4, Vancouver audi- ences will have an opportunity to see the work of one of America’s finest progressive writers, Dalton Trumbo, whose screen plays have earned the admiration of millions .of Americans—and the hatred of the notorious [Un-American Activi- ties Committee which indicted him for contempt of its fascist- style proceedings. The Biggest Thief in Town is a skilful blending of comedy and satire leavened’ by a genuine sym- pathy for and understanding of the common folk of America, upon whose fears the Un-American Activities Committee has played to produce hysteria and yet upon whose traditional desire for peace must depend the outcome of the present struggle against the trend to fascism. \ Trumbo’s play does not touch upon this struggle directly, but indirectly in its presentation of the millionaire around whose death the play revolves it does deal a shrewd and skillful thrust at the crooked manipulations of — high ‘finances which, in their over- all operation today, pose the threat of a new war to a world that is weary of war. In its choice of a play which counterposes the sanity of a pro- gresive writer, striving to make his work serve the true interests of the people, to the cultural idiocies of Hollywood today, the — UJPO Drama Workshop deserves — the support of all’ progressive~ minded people in this city. Only by such support can this group sustain itself and be encouraged to grow and develop, The fight that this and other progressivé drama groups are conducting against the pernicious war pro- paganda of Hollywood is part of the struggle for peace, the im portance of which the Un-Amer ican Activities Committee, by its — efforts to silence Trumbo and others, has demonstrated. With The Biggest Thief in Tow” as its presentation and a cast in” cluding many of the actors wh? made Awake and Sing and It’s Hard To Be a Jew memorable. producitons, the UJPO Drama Workshop promises an enjoyable evening to what is to be hopé will be full audiences. i] ' iit VmUvanyeqvevvmiymyimyvecimy-euumyvesin.ye)0(0myy@i0m etm s0m 1.940 /R UR} MT mmm PEACE THE COMMUNISTS PUBLIC LECTURE BERT WHYTE Sunday, June 3, 8 p.m. PENDER AUDITORIUM (LOWER HALL) : 339 West Pender St: Question Period — Silver Collection Auspices: City Committee LPP APPR UO UMM MTCC NUCL UDO RUIC LILI IL ULL Mtge SESSSSSSSHSSHSSSSHSSOSSSHOSSHSOSSSHHSSGSG OGG GIF YG U.J.P.0. Drama Workshop PRESENTS hotel 2s ar DALTON TRUMBO‘S 3 THE BIGGEST THIEF IN TOWN JUNE 4 to 9 AT THE _ EVERYMAN THEATRE 2237 MAIN ST. — LIMITED SEATS AVAILABLE For Reservations Phone Mrs. B. Chud, CE. 4376. 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