Lambert's new nove on Eureka Stockade © SUNDAY morning, Decem- ber 3, 1854. Above the crazy stockade ubilt in the Austral- ian goldfields flies a flag made from a woman's blue dress. On it are sewn the five bright stars of the Southern Cross. Behind the stockade sleep the diggers. There should be more but many have left the stockade believing that there will be no attack on the Sab- bath. Sleepy-eyed sentries stare into the mist. One spots a movement. He cries the alarm and fires a shot into the air. The diggers tumble from their tents and rush- to defend themselves against 300 police and soldiers who are moving into the at- tack. But the surprise is too great. The battle is “bloody but short. The flag is cut down and trampled underfoot. The police, in particular, start a riot of murder. Wounded men are burned alive. That morning is now part of Australia’s history: Eure- ka Stockade, a defeat which was at the same time a vic- tory. For it forced the adminis- tration into a realisation that the diggers’ demand for an end to the-harsh licence tax and the right of all men to vote without any property qualifications could not be put down. In The Five Bright Stars (Australasian Book Society) Eric Lambert retells in vivid fiction the story of those who fought and died. It is a story of which the la- bor movement in all English- speaking countries can be proud. Many of those who died at the stockade had started the fight for freedom in Ireland or in the Chartist movement in Britain. Some were from Canada. Transportation did not kill their ideas. This connection is brought out clearly by Lam- bert who uses his fiction as a means- of bringing out the basic facts. Or, in his own words, “to render the truth more eloquent.” The story is not written with the same white-hot passion which made his war novel The Twenty-Thousand Thieves such gripping reading — but then Lambert was writing straight from his own experi- ence. The traditions of Eureka live on in Australia just as those of Chartism and Tol- puddle live in Britain. Once lit, the torch can never be put out. LEEW GARDNER Biography of man who retrieved 5,000 songs HE study and collecting of folk songs has become an exact science and the. appre- ciation of folk song and folk lance has become so wide- spread that even television sponsors are not averse to featuring it. There is a tendency there- fore, particularly among young enthusiasts to look down on the work done by Cecil Sharpe, the pioneer collector of folk songs. : And yet, during the last 50 years, every single devel- opment in the study and pop- m of the folk music of Britain and the United States springs directly from his work. It is 20 years since the first edition of Sharp’s biography was published and during that time a great. deal has hap- pened. Folk musie is now. a regu- lar feature of radio broadcasts; it even finds its way occasion- ally into Hollywood films; concerts featuring folk -art- ists are increasingly popular and the folk ensembles of the Peoples’ Democracies can fill the largest Western theatres for weeks at a time. publication of the eecond edition of Ceeil Sharpe by A. H. Fox Strangeways and So the Maud Karpeles (Oxford Uni- versity Press) comes at a most opportune time. The portrait of Sharpe which emerges is fascinating; here is no pedant preoccupied with his own scholarship, but a man of great humanity passionate- ly in love with the people’s music and with the men and women who create it. Unlike many of his contem- poraries, Cecil Sharp did not subscribe to the view that taste, creativeness and_ the ability to express profound emotions* and ideas are the exclusive attribute of a priv- ileged class. Time and again he asserted “that every human being is a potential artist and all forms of artistie utterance are natural and inborn.” Admiration for the working people and their music, coupl- ed with brilliant musical tal- ents, made Sharp an incompar- able collector, and in ‘the quarter of a century which ne devoted to the task he noted down close on 5,000 songs. The authors have produced a book which is important not only for students of folk music but for all who care about our great popular tra- ditions, EWAN MacCOLL WE NEED ANOTHER CALLING ALL CLU 754 SUBS TO REACH OUR TARGET GREATER VANCOUVER CLUB QUOTA. ACHIEVED Advance: 25 15 31 AC Ee Smith ee 20 12 Brordwaye = 2 30 22 Building Trades ---- 15 4 Dry Dek 15 13 East. Engi oes ---- 10 5 Electrical 2-2 35 12 Geopeia =. ee 10 4 Grandview —-=----=-- 45 19 Hastings East. -=------ 35 23 Kensington ~~ =.---= 25 9 Watsang a Ss Fe 35 18 Little Mountain --_--- 15 3 Mount Pleasant __-_--- 15 16 Niilo Makela _---~---- 15 2 NORQuUayY, 22-5 35 10 Oye a ee 10 Reny Pai 22 = 2 Point=Grey: 22 2 + 40 23 Siravucona = 2-2 20 Siudents: = «co . 5 1 Victory Square ---.-- 50 13 Waterirony 4-5 15 12 West Bnd SS HB 12 North Burnaby ------ 55 20 South Burnaby __---- 50 9 North Vancouver -.-- 60 13 North WVan.: (District) 40 7 City Miscellaneous _-_ 40 TODA oa 750 358 \ NOVEMBER 15 IS THE DEADLINE | oe PROVINCE CLUB Aldergrove 2: =—_------ Permie..< oo Fort: Langley 222 on Haney. <2. ee Kamloops 2. = Wadner oe Teanpley os fee Se Maple: Ridge: =. -_-_- Michel-Natal -------- Massion] — <=. ==> Nelsonee 32-5 New Westminster --- Notennill.._ 2 2 se Powell River --------- Steveston _____--- Sas North. Surrey. -----<. South Surrey ------- Trail-Rossland _--~--- Vernon he Correspondence —----- VANCOUVER Albers. eo Sy Campbell River --_---- Courtenay. << 2-2 Cumperiand > 4 se Gowichan: ose et Nandimo «= oe a Parksville? ros Victoria PROVINCE MISC TIANA rome Copper Mountain __~- Cranbrook. .:2]-e Grassy Plains: =--~=-- Prince George ------- Prince Rupert -_------ Princeton be phe ah: Salmon:-Arm:*=>_.s=—= Sointnia 23s eee Omers is 8 Ve eee TODAI:: ..2- esas GRAND TOTAL QuoTA ACHIEVE? 5 15 25 15 15 15 15 10 ISLAND 45