Owen Rye and His Wood Kiln

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quickly. We were in awe of his list of credentials and 40 years of experience
and influence. His set up was ideal — he took us through the various areas
of his kiln shed, proudly showing us his anagama kiln and then his studio,
which is an old converted schoolhouse. He has even maintained the alphabet
on the chalkboard as an homage to its roots. Owen taught and lectured at
the University and the Canberra School of Art for many years so the set up
seemed perfect for him. It was lovely to be able to examine the many pots just
lying around the studio and kiln shed areas; such a different experience than
seeing them in a gallery where there might be more hesitation to touch them.
Australian wood firing has a unique approach and aesthetic; Owen’s influence,
among others, has been instrumental 1n its creation.

His task of loading the kiln seemed to get pushed further into the day as
he invited us into his home for coffee and biscurts. What a treat that was! His
wife came to talk to us as well and we felt very honoured to see his personal
collection of pots sitting on his shelves. We each carefully selected the mugs
we wanted to use and had a nice visit, all of us grinning the whole tume.

When it came time to leave, we knew it wasn’t “goodbye”, but “see you at
ClayEdge”. Visit www.owenrye.com for more information about Owen and
many articles on wood firing. He and his wife are hoping to come to the area
in the near future to give workshops so be on the lookout for them — it’s not
to be missed. Next, we were off to go visit Robert Barron who lives down
the way.

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To be continued tn another issue. L& Sheila Mortssette

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POTTERS

COLUMBIA

Owen Rye’ studio

Owen Rye’ studio