The woven constructions--tubular, cool, self-con-
tained--did not grab my hands (luckily, since many were
natural or white) but in slight movement, from the air
of passers-by, they quietly, insistently, engaged my
eyes to look again and perceive more than the first
general impression--to become aware of small, intimate
patterns created by the twisting of the open-weave areas.

This was a show which called for quiet, contem-
plative looking. I'd like to see at least a part of it
tour the province as a means of exposing potters in the
out-back, like myself and my students, to the thinking
that is going on in the urban area.

Frances Hatfield

EXPOSITION GALLERY

‘Survival from birth to death' is the basic concern

of Yugoslavian-born Zeljko Kudjundzic, whose exhibition
opens October 13 at 7:30 pm and runs to October 27.
He describes his works as emotional documentaries, using
only what he considers as essential in the realm of sub-
ject matter, with results that are as dramatically vivid
as the themes he portrays. He works in all materials at
his disposal--metal, clay, wood, and canvas.

Kudjunzic was director of the Kootenay School of
Art for four years, later moving to Kelowna where he
established an Art Centre. Two years ago, after his
return from Mexico where he was resident artist at the
Institute Allende, he was invited to join the Faculty of
Penn State U. to set up a new Art Department at the
Payette Campus.

Some thirty recent works are on display at the
exhibition, including ceramics and some small mono-
ehrome sketches.