REVIEWS Three meets in Europe — one coming to Toronto Writers, artists for peace weeks later, was awarded the Nobel Prize for Lit- eraturé. ‘‘He quoted Maxim Gorki,’’ Livesay told me, “‘to the effect that writers have not the right t0 | teach one another but only the right to learn from | one another — to find out not what divides us but what unites us.’ : International Pen Club members, she said,” spoke of ‘‘men who believe they can win a nucleal war’’ and warned that “‘never before has mankind ? been threatened by total annihilation. Even Hitlet_ ‘would be found to be a minor criminal compared t0 | those who start a ‘limited’ nuclear war.”’ Films ee Brazil’s Xica brilliant effort XICA. Written by Carlos Diegues and Felicio dos Santos; directed by Diegues; cinematography, Jose Medieros; music, Roberto Menescal and Jorge Ben. Starring Zeze Mot- ta. A Brazilian film with English subtitles. The co-author and director of this striking film will be remem- bered for “‘Bye Bye Brazil,’’ recently shown here to critical and popular acclaim. ‘‘Xica”’ (pronounced Sheika), was made six years earlier, and perhaps it is because of the reception given the later work that the chance was taken to present ‘‘Xica.”’ It should prove a good gamble, although its ethics as well as its ethical advocacies will not be received with enthusiasm by Moral Majority-ites. In the second half of the 18th century when Brazil was still a colony of Portugal, those who labored in the fields and in the gold and diamond mines were African slaves; in the homes of the white colonialist gentry they were household domestics, some of whom were young females who provided sexual diversion for their masters. Xica was such a young woman who had the fascinating com- bination of an extraordinary talent for gratifying her master (and his attractive, rebellious son) as well as an active determination to be free of slavery and an equal of her masters. When a handsome, middleaged official is sent by Portugal’s king to become head of the diamond mining industry he becomes Xica’s goal for freedom and soon she is not only his mistress (he buys her) but his master (she is given her freedom and thereafter runs him). Her own people are overwhelmed and overjoyed by the effect upon their masters and mistresses, and Xica is hated by the white women in the community. Plots are hatched to cut her growing . power, and finally when an envoy of the king arrives determined to bring the official to his terms, she puts on an unforgettable dinner, African style, for this ultra-elite affected nobleman, climaxing in an African dance with a dozen beautiful Black women. It doesn’t win him over; although drunk and seduced, when he comes to his senses he is outraged. She is defeated, and the vengeance of those whites who so envied her rise to power now have a free weapon to punish her. She faces them defiantly. Will she finally disappear so they can sleep soundly — and smugly — again? “ “= During summer and autumn this year three international conferences of writers met to discuss their responsibilities in preventing war. I saw Dorothy Livesay, the noted Canadian -poet, author of a score of books, on her way home to B.C. from one of these gatherings, the Fourth International Writers’ Meeting held in Sofia. (She had attended the first, in 1977.) Other Canadians with her in Bulgaria on Sept. 29-30 and Oct. 1 were Miriam Waddington, the poet and university teacher who also. took part in the other con- ferences, at Cologne and Kiel; Prof. Hedi Bouraoui, master of Stong College at York Uni- versity; and Greg Gatenby, organizer of the popu- lar Toronto Harborfront public readings by writers and also of the International Festival of Authors. The four Canadians were among 130 writers from 56 countries. The keynote was: Peace, the Hope of the Planet. “Over and over again,’’ Livesay told me, that silence is a real crime against humanity.’’ These themes, she recalled, were carried into the second day of discussions which concentrated on: 1 — Unity of the world-wide writers’ movement for peace, a historical experience gained through suffering, and a guarantee for success. At the end of the sessions, said Livesay, who will - be University of Toronto writer-in-residence in the | new year, the new vice-president, the English novelist James Aldridge, ‘tread a statement calling | for support to Soviet President Brezhnev’s prop” osal that all countries emulate his pledge not to be” the first to use nuclear weapons. Aldridge also” stressed the great importance of individuals meet | ing each other as friends to consider their common” problems and common ways of arousing. tg world’s peoples for peace. Livesay was especially impressed by one speaker. ‘*As I look back, probably the most mov” ing of the speeches was from a Japanese delegate. His research had revealed that ten or more Ameri cans had died in the Hiroshima bombing but thal | their names had never been made public. He told also of two tragic ‘ghosts’ at Hiroshima, both closé” to death’s door, who had lost their facial charactet- istics, who quarreled, accused each other, struck blows at each other — and were locked in combat until they both fell dead.”’ A large international gathering for peace, in Col ogne, sponsored by the German Writers’ Union, » and a smaller literary conference for peace, in Kiel, were both attended by Canadian writers. a And closer to home, on sunday, Nov. 21 from 10. a.m. to 5 p.m. at Innis College of the University of Toronto at 2 Sussex Ave., writers, artists, theatre workers, film, radio and TV people, musicians and dancers will meet at the first Toronto and region conference of the Arts for Peace movement” : gpnebes earlier this year. 2 — Literature for hope? Or literature for de- spair? 3 — The translation of literature, a link between ~ national cultures and the cause of universal peace. There was also a round-table for publishers and writers. Participants on that second day, she said, were Adrian Mitchell from Britain, Jacques Cauchon from France, Ivan Malinowski from Denmark and many others from East and West Germany, Japan, Mongolia, Holland, Hungary, Turkey, Spain, Vietnam, as well as Kenya, Tunisia and Algeria. South and Central America were well represented by writers from Brazil, Nicaragua, Peru, Chile, Costa Rica, Mexico and Cuba. Sessions were also held at a writers’ residence at Varna on the Black Sea. A prominent literary figure present was the Col- ombian novelist, Gabriel Garcia Marquez, author of One Hundred Years of Solitude who, a few — Lester Cole — Oscar Ryat The mounting nuclear toll “ifi?__Books | America’s Experience with Atomic Radiation. By Harvey Wasserman and Norman Solomon with Robert Alvarez and Eleanor Walters. Delta Books, 384 pp. $12.95. Just since Killing Our Own was. pub- lished, the following is a partial list of nuclear power events which have taken place in the U.S.: On July 22, it was reported that there was indeed a core | meltdown at Three Mile Island; the same | day the Lawrence Livermore Labora- tory agreed to post warning signs in En- glish and Spanish at its explosives testing site 15 miles southeast of Livermore be- cause of worry that beryllium and de- pleted uranium may have migrated to underground water supplies in the area; | on Aug. 4, officials announced that the three reactors at Brown’s Ferry, the largest nuclear power plant in the U.S., failed leakage tests. The same day experts with the Atlanta Center for Disease Control announced that a rare and dreadful blood disease linked to radiation exposure had been found in seven South Carolina towns circling the Savannah River nuclear plant which produces all the weapons-grade plutonium in the U.S. That is just to indicate the unceasing KILL OUR OWN — The Disaster of nature of the problem so thoroughly explored and exposed in Killing Our Own. There is just no way to keep up with the disasters, the warnings, the accumulation of horror. Indeed, the worldwide nuclear disarmament campaign in the 1980s may ‘*hold the key to all of human history,” the authors conclude. They also conclude that ‘‘there is no peaceful atom,’’ and the powerful evi- dence they present should be studied by all students of this question (and we are all students of this question). They believe that ‘‘ultimately the ‘peaceful atom’ may be remembered less for its ability to generate electricity than for its function as a radioactive warning beacon,”’ that if present health indicators are correct, it may take far less radiation to do terrible and irreversible damage to human and animal health than was ever imagined. A thread running through the book is the campaign of lies and distortions, the coverups, the withholding of dangerous evidence by the government and private industry. Back in 1958, for example, when the U.S. exploded 77 nuclear weapons in the Pacific Ocean and in Nevada, there was an “emergency” radioactive situation in Los Angeles, but the word put out was ‘‘harmless.”’ After all, said Lauriston S. Taylor, di- rector of the Atomic Radiation Physics Division of the U.S. Bureau of Stan- dards: ‘‘If you ever let these (actual) numbers get to the public, you have bag it-?4 Such has been the history. Suchis still the history. It’s all in the book — both wartime and peacetime applications of nuclear power. Some of it is well known by now. Some received little publicity. It was only comparatively recently that the full-scale horror of the use of American soldiers as experimental animals came out; it has come out as these men sicken and die; there were hundreds of thou- sands of them. There is also a section on use and mis- use of medical x-rays and job dangers for - nuclear workers. Read about the practice: of ‘‘body banking.’’ Read about the dan- gers of mammography, the risks for radiation-induced breast cancer being higher than for all other radiation- induced cancers. In his introduction to Killing Our Own, Dr. Benjamin Spock appeals for citizens to demand “‘our government stop stalling and get on with the negotiation of a true disarmament with the Soviet Union.”’ Whether or not the reader believes, as Spock does, that energy needs can be solved by other than nuclear means, his advice that people read the evidence of ‘past and future damage”’ is also good advice. — Vivian Raineri Dr. Benjamin Spock, (I), during a visit in 1977 to an international children’s festi-: - val in the Soviet Union. PACIFIC TRIBUNE—NOVEMBER 5, 1982—Page 10