3 ‘ Russia, : TT ne AS cach year rolls around to that , -?,_ Alstoric: birthday, of January — #2. the.Tmmortal Memory ‘of ~ Seotland’s national bard, Robbie “Urns, assumes a new brilliance: “nda new meaning,’ It is just six “Years “short of. two cénturies “ince that stormy January ‘morn- : ‘NY in 1759 when, in a poverty- Stricken peasant’s cottage in Ayr- Shire, a son of the people was 0, destined to sing the death- #88 song of peace and freedom, _ Rot only for his native land, but “OF all oppressed and toiling hu- Manity, , on a i eis P The Span of the 194 years since mane birth of Scotland’s plowman aPget Covers the great advance of i nManity from the birth of demo- gecy. in. the first French Revolu- ( tanh £0 the birth of socialism in The gréat Gctobet: Revolution in a. .It covers the greatest Jchiévements of the common peo- 2S, wrought out of their suffer- ee and sorrow, — x ton at The same span of years also coy- AE Maly bloody wars of pillage and ‘Plunder, instigated -by a. ruling ~Saste in. whom the lust for greed og ain is the only consistent Roe It covers the period of OY “great” men, “great”? only leeting moment, ere their in- “my and the earth hid ‘them from, f Uman kent re Over these long years, like the Berets ebb and flow of a mighty ‘tide, ‘the People of .all lands have oye cred strength to surge for- en ard, Consciously and instinctive- ith the songs of Robbie Burns co ais 0 their lips and in their hearts, CU tn tS ne CZ : 7 NS SS \\ SS ‘ Robert Burns,..born January 25, 1759. toward that goal he so clearly fore- told when he wrote: “For a’ that, an’ a’ that, Its comin’ yet for a’ that; When Man to Man, the warld ower, Shall brithers be for ’a that.” The secret (if we may use such ‘a term), in describing the genius of Robbie Burns, is not that he was born and reared in poverty and back-breaking toil, a humble son of humble parents.” Wherever the exploitation of! man by man is . held to be a heaven-ordained ar- rangement, that condition is still all too widespread. F The genius of Robbie Burns rests entirely in his boundless love and tender concern for every living thing: his determination to hold on to values which,. like the soil in which they grow, are indestruct- | ible; his affinity with every living thing struggling with the forces of nature or man-made obstacles to live. Being born of and remain- ing with the common people whose is blended with: his own — that. is the Secrets. thie genius of Burns. Only those who know ‘and share the sorrows, toil, immortality and fleeting joys of the people, can give expression to the unspoken hopes’ and desires that are locked’ in their hearts. J . : “In the concluding chapter of the . History of the Communist Party of the Soviet Union, Joseph Stalin refers to an ancient Greek legend to illustrate the indomitable strength of the Bolsheviks. It also illustrates the flowering genius and granite-like strength of Scotland’s immortal bard — and how: little a smug well-fed. bourgeois rattle- McEWEN 4 f i SAE ELBIRU/ EEN RIENET EB! head knows of the Bard his vulgar orations are said to “honor” when the Immortal Memory is toasted! “In the \nythology of the ancient Greeks there was a ceie- brated hero, Antaeus, who, so the legend goes, was the son of Posei- don, god of the seas, and Gaea, goddess of the earth. Antaeus was very much attached to the ~ mother who had given him birth, suckled: him and reared — him. There was not a hero whom this Antaeus did not vanquish.” He wag regarded as an invincible hero. Wherein lay his strength? . It lay in the.fact that every time he was hard-pressed in a fight with an adversary he would touch the earth, the mother who: had given birth to him and suckled him, and that gave him new. strength. “J think the Bolsheviks remind us of the hero of” Greek myth- ology, Antaeus.. They, like An- taeus, are strong because they maintain connection with their mother, | the masses, who gave birth to them, suckled them and reared them. . .” It was the stubborn earth of those Ayrshire. farms,»Mount Oli- phant, Lochlea. and Mossgiel, which shaped the genius of Robbie Burns and tempered ‘Win the class fires of innocent. struggle. To that earth and itg people he clung, be- cause like Antaeus, it was the source of his strength and genius, carrying him from a humble Scot- { tish cottage into! the hearts of the toiling peoples of every nation and clime. It was from these farms, weary and dog-tired that the Bard would sally forth to swap the stories and songs of human toil and hope, to meet with men of true worth and learning who, recognizing his gen- PU TT “A man’s a man, for a’ that.” : PACIFIC TRIBUNE — JANUARY 23, 1953 — PAGE 9 THUBIVELIEIIEL) ius, gave of their own riches of down-to-earth knowledge to hast- en its flowering into full bloom. It was from these stubborn acres too, that he would some- times go forth in search of con- vivial company in the pubs eof Mauchline, Kilmarnock, and far- ther afield. There, with “Tam O' Shanter,” “Souter Johnny” and all the other worthies who became the mirror of his genius, the Bard turned the sordidness of poverty ~ and “gree” into the most beautiful song and poetry that has ever gladdened the heart of man. From these farms, his hands cal- loused at the plow, the Bard came to Edinburgh, the national seat of learning, class snobbery, and haughty disdain, not for material wealth, but for the poorly-clad and “‘ill-geared” sons of toil whose arduous labors. produced their un- earned wealth. e@ It is not uncommon for the up- ‘per crust of our: modern society to “elevate” some talented son of the people to their own social level; to flatter and corrupt him and buy him off either by direct bribery or position. Should such a person because of his following among the common people be re- garded as something of a chal- lenge to organized parasitism, he can, if he is built that way, write his own bribery ticket. In ‘that respect class society hasn’t changed much since Burns’ day. These wiles they also tried on the Bard. In debate his home- spun native good sense flattened their shallow pretenses of learn- ing. In their social circles this -plowman embarrassed his “pat- rons” by conducting himself as their equal. At all times he let the Edinburgh “society” of his day, know the only people that count- ed in the real scheme of things were those who toiled, worshipped and lived — without guile or pre- tense. P boo The tinsel and glitter of make- believe and parasitiz idleness held no attractions for Robbie Burns. With deep earnestness ahd great dignity he took from Auld Reekie (Edinburgh) the gifts of learning and knowledge she had to give, turning his back on bourgeois dross, dirt and deceit. Scotland's plowman poet could not be cor- rupted by the blandishments of his | . betters.” Joe Wallace, poet-laureate of the Canadian working people, has written a fine stanza on Burns? so- Journ with Auld Reekie. It has a splendid moral for Burns? ain folk,” one in which the Bard gave a brilliant. example. Wallace en- titled this’ hitherto unpublished poem, We all go up to Edinburgh: “When Burns went up to Edin-! burgh 2 ‘ The town sak at his feet He could have drunk from any glass Or shifted any sheet, Where wealth and birth were ranked as worth And culture was assumed And where the girls, while not’ the’ best, : Were far the best perfumed. Burns had that weakness of the _ flesh That most of us deplore It wasn’t that he sinned’ so much But talked about it more, And here he showed nobility . ‘+ That won him more than fame, The only poet of our tongue Loved by his Christian name; He turned his back on Edin- *. burgh diet Where he was lionized _ To join by choice and be their Voice, The lowly and despised. We all go up to Edinburgh Whatever be our role; ‘Turn back in time with Robbie Burns Before you lose your soul, The Immortal Memory of Burns is a tribute to those, living and dead, who made his creed of life. their own. Today millions are building a new socialist world in Europe and Asia — a world that is a dream of Robbie Burns come true. His Tree of Liberty, a stir- ring tribute to the first great ef- forts of a people to shake them- selves free of oppression’s chains,. is today nearing full bloom. ‘The songs of Burns are the songs of toil, love, and peace. The words, first pouring from his lips in the “Lallans” tongue of ‘his native land, are sung today by the people of every land in whose hearts the hope of, and determina- tion for universal peace is upper- most. His is the deathless voice of the common people, marching towards Singing Tomorrows, con-- fident with their beloved Bard that, : “... the sword wad help to mak a plow, The din o’? war wad cease, man; Like brethern jin a common cause, » We'd on each ither smile, man; _ And equal rights and equal foun Wad gladden every isle, man.” e Illustrations on this Page are from woodcuts by F. Favorsky, | the Soviet artist who illustrat ed S. Marshak’s Russian trans- lations of Robért Burns,