Page 2 PGCE ECE ELL PELs For once, | am writing this with a bit of deadline leeway H miss the inspiration that panic supplies, CBC has just mentaned Wayne Ngan in context with an exhibition at the Museum of Civilization in Ottawa (where many 8C potters | aré represented). The announcer discussed Wayne's concern with function, essence and simplicity. Ironically, at that moment, | was flipping through a rather caustic bit of satire regarding the purity of Nee-Leachians in the last issue) of Ceramics Monthly. Yes, the eternal debate of the ? humble | ’ pot versus the gallery pet continues. And | am unable to 4 resist putting my two cents worth in. I'll probably be sorry * later an, but what is a life without regrets { according to Eaith mr Piaf, if my lamentable French is properly translating her lynes.)? + production of the Sevres factory a few decades later. So it may be a little naive to decry the decadence of European + porcelain tradition whilst lauding the humble Japanese tea OK, back to that humble pot thing. | have yet to hear raised the point that, while referring to the humble Korean country pet, the ceramics of the Ede tea ceremony belonged to a leisured upper class and were every bit as expensive and elitist in their own time (and today, to go by the prices) as the bowl. They emerge from two very different aesthetics, but function equally as symbols of taste, refimement and wealth ‘within their raspactive cultures. My own work owes more to Versailles than if does to Kyoto Having said that, my last clay purchases were a cup & saucer _aleng with a beautiful little pouring vessel by that mistress of wood, Cathi Jefferson. | think that most of us, no matter what the personal aesthetic of our own clay production, raspond ta any work in clay that is well thought out and well made. It may not necessarily be the piece that you want ta take home and live with, but you can enjoy it for a few moments. | must apologize for the remarkable number of errors in last month's newsletter, AS well as the apparently inevitable typo's, | forgot to include the dates for the Jumpstart scholarship, thea address of the Canadian Craft Museum, | typed nght button instead of lef- most button on the mouse in the internet aricie and doubtless many other sins of amissian. lam trying te keep te deadline a bit more rigourowsly $o that there is actually a chance to proof read the Newsletter. Have a happy, muddy summer and enjoy the tomatoes! Karen Opas ee CECE TEEPE LL Liitii HOTLI infernal at hitpcwwetSau * = C604) 684 + ARTS cavcal * Potter’s Guild of B.C. Newsletter * The Newsletter is published 10 times yearly as an information link with members, Submissions of articles, letters and " « anything else are gladly welcomed. The next issue will go out in the last week of August and the deadline for that ® issue is August 10. Our fax number is 604/669-5627. r Editer: Kares Opas _ Orneral Manager: Jane Matthews * Editorial Board: Tam [rving, Gillian MeMillan, Carol Mayer * Gallery Assistants: Julia Maika, Christins Lock, Darlene Naune, Aaron Nelson « 1996 Membership Fees (Based on Calendar Year only): Individual: $35 Seniors/Full ime Students: $20.00 a‘ Deborah Tibbel, Ron Vallis, Laura van der Linde Advertising Rates (not including GST): Unclassified Rates (not including GST): Board of Directors: President: Linda Doherty, Vice President: Gillian McMillan ; Treasurer; Pat Taddy; = Secretary; June Macdonald; Directors: Laura Arpiainen, John Cloutier, Les Crimp, Fay Hickey, Carol Mayer, Institutions/Groups/Corporations: $70.00 Family or Studio (max. 4 persons): $30.00 Full page: $130.00 l/2 pageorl column: $65,00 1/4 page or W/2 column: $40.00 Member: FREE Non-members; Jlines $8.00 Each additional line: $2.00