D COLUMBIA Handling Pots, Contd from Page 4 slab pots which were amongst my earliest influences when I first began with clay, motivated and working from the pictures in Tony Birk’s book, Contemporary Ceramics. The others from the book were all there too—Dan Arbeid, Bryan Newman, Gordon Baldwin. Enough to make you giddy! What was so fantastic is that we could open the cupboards and actually handle the works but there was so much, it was really overwhelming and when we finally came out of the last room and into the general storage of the museum and were confronted whole shelves of large medieval jars, a whole table of Belamine bottles and huge racks of Roman, Medieval and Neolithic pots it was total overload. ‘The York Gallery of Pots will open Sept. 12 with Three Collectors and will feature work from: ¢ Eric Milner-White, (1884 — 1963) Dean of York Minster who collected the “biggest and the best” of early British studio pottery. ¢ W A Ismay, (1910 — 2001) Wakefield Librarian who collected mostly functional pots. * Henry Rothschild, (b 1913) Founder of Primavera Gallery who collected pots that appealed emotionally to him. Jim Robison (right) Bh. and Keith admiring an lan Auld, sl wee = FONG CHOO The Teapot Form October 24-25, 2009 9:00 - 4:00 $155 plus GST includes lunch Recognized for his signature miniature teapots, Fong will explore the teapot form with reference to the perspective of proportions: from large to small, from whimsical to utilitarian. There will be discussions on his jewel tone glaze effects plus tool making and cane handle demonstrations. Fong will discuss the issues of networking, pricing and presentational aspects of his work. Metchosin International Summer School of the Arts 650 Pearson College Drive, Victoria, BC V9C 4H7 250391-2420 www.missa.ca Potters Guild of BC Newsletter - September 2009 5