Paga 6, The Horaid, Friday. September 7, 1979

Stewart turns his search to golden re

By YARDENA ARAR
«tie a tough trick to get up
a c get up
there on those charts, it ain't

Stil a
1h pursuit of the hit
Martial
masters
hold meet

By GRAHAM EARN-
SHAW

PEKING (Reuter) —
Chinese martial arts
masters recently held their
first national meeting in
more than 36 years, putting
the official stamp of ap-
proval on the recent
resurgence of Kung Fu
around the country.

Experts in the ancient art
of Kung Fu from every
corner of China gathered in
the southern clly of Nanning
to display their skills, which
had been under a cloud for
many years because of in-
terference from the “Gang
of Four” radicals purged in
1976.

Chinese martial arts
consist of a large range of
different styles of armed and
unarmed combat
porilarized worldwide in the
t few years by such film
atars os the late Bruce Lee
the one-armed sword-
sman, Wang Yu.

China missed out on the
Kung Fu film craze, but one
af the classics of the genre,
“A&A Touch of Zen” directed

King Hu, recently was
In Peking,

The film, made in Taiwan,
won an award at the Cannes
Film Festival a few years
ago for the technical
brilllance of the fighting
acernes, and Peking
audiences, unused to such
entertainment, were held
spellbound as ewords flashed
and blood spilled across the
wide screen.

record has been on Stewart's
mind a lot in the last few
years, and it’s not surprising
that he finally wrote a song
on the matter. ‘‘There’s
pecple out there turning
musi¢ into gold,” goea the
refrain of Gold.

But it is nothing short of
providential for Stewart that
the duet. with Fleetwood Mac
super-songstreas Stevie

Nicks looks likely to match
ite title in soles.

For Stewart’s 20-year
career as a musician was on

‘The Aquarlum’s staff were saddened to discover that their newly acquired Mola

the line when he went into
the studio last year to record
the song and the rest of the

Bombs Away Dream Bables bj

album,
“ASO had

edict, saying, ‘If you don’t

get a hit record, you are off

mola had died. The Giant Sunfish which had been caught by fisherman Beb
Bowker off the coast of Vancouver Island on August 22nd and temporarily cared
for at the Bamfield Marine Station had been closely watched and tended at the
Aquarlum since Friday. Had it lived ,i¢ would have been the first Mola mola on
display in North America The fish will now be passed on for further study to the
Ichthyology collection of the Fisherfes Institute at U.B.C. or * ©. ’s Provincial

Museaum.

given me an,

the label’ — and being off the
label meant being out of the
record business,” he saya

luntly, -

The ultimatum wasn't
delivered out of any par-
tieular animosity; when it
came, the lanky, rugged
faced Californian still was
best known to the general
public for a job he held 12
yoars ago — salaried
replacement for Dave Guard
in the Kingston Trio.

. Asa solo artist after that
grandaddy of folksinging

ni

after some 600

RSO Records President Al
‘Coury, another longtime

admirer.
‘ But Stewart's first RSO
bum suffered the aame fa
os his previous efforts, not a
thing at a company that
eete sales standards with the
likes of a blockbuster
Saturday Night Fever
soundtrack. It was indeed
Bombs Away Dream Babies
— a farewell phrase Stewart

"borrowed from his old friend

Guard, who helped on the
album

As if to double the odds
against Stewart, RSO also
eeta spartan $60,000 limit on
recording expenditures,
foreing him to scramble for
credit and delve into his own
‘thinly lined pockets for soms
$10,000 as bills approached
the $110,000 mark — about

average for an album theee

daya.

“We weren't living in a
trench,” he says, gesturing
at the cluttered, but cosy,

living room of the modest

home he shares with wife

guitar work that Stewart
didn’t do.

And if the album’s
Fleetwood Mac-like over-
tones are earning almost as
much attention for Miss
Nicks and Buckingham as

Bufiy Ford Stewart, who for Stewart, he doesn’t begr-
also sang on the album. @ It.
“But during the album we “Their contributions was

ate yoqurt for three months,
hocked jewelry, drove a '72
Bulck, never wont out. It was
a real Armadeddon.”

It was the first time

just immeasurable,” he
gays. “T'd love to work with
Lindsey, anytime."
Now that the bills are
being paid off, Stewart faces
anew but considerably more

cord —

do, and can I do a better
album ... [ love that kind of
challenge.”

But, with an eye to hin
wnauccesstul past, Stewart
says that he won't
recording again unless

contract with RSO is

renegotiated.

“My situation at RIO now

is designed so I cannot make
se at ge
ld performer. “It's g

to be changed. It's like
saving a man. I
mean, how long can you be
grateful?

“You have a very short
span as a star, unless

you're inc lucky and
incredibly talented like Paul
Simon and Dylan and neonle

Drop;
‘labels, he got the RSO -
§ contract only

+

P.O. Box 839

City/Town, ....-..0.

_ _tACCEPTED by Central Moriga

groups disbanded {n 1967, Stewart had ever produced enjoyable set of probleme.
Stewart always was well an gibum, but be bad some “Before, the preasure was
. One of his first too-night help from Miss can I justgeta record on the
albums, woe tiiforala Nicks and her Macmate, radio. And nO it's the
podlines, named 3 Lindsey Buckingham, people
Tusurtnons pet sea me cantawes rose
Ww wa
music critics world wide. bis and who did all the ’ : that,
’ He continued to d out
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to commerciu] suc . me. + ie
by three different ‘> ; ,

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5 p.m. to midnight

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