INSURANCE FOR POTTERS The Guild Executive has, for some time now, given its support to the principle of making an insurance package available to the Guild membership, It has taken time to find a program that has been shown to work for potters, or other craftspeople, but with the assistance and continued interest of Nathan Rafla ard others, it appears one has been found. The Alberta Potters Association has made a volun- tary package avallable to their membership, and our Executive has agreed to do the same here in B.C. for our membership. The group plan is to be administered by Mutual of Omaha Insurance Co. through their Vancouver claims office, and any Guild member may pick and choose which, if any, of the options they are interested in. The particular advantage of this program is that it has been designed with the particular needs of the potter in mind. You will shortly receive a letter with further infor- mation on the insurance package avallable to you. The Summer ‘88 issue of Contact has a compre- hensive article on the Alberta Potters’ Association's plan. THE ‘I GET AROUND’ COLUMN Finally made it down to the Whatcom County Museum, 121 Prospect St., tn Bellingham recently. I'd heard good things, but wasn't prepared for the awesome scale of Robert Sperny's work, The exhibi- tion is on ‘til November 20th, and it's a wonderful show. The froup show, “Shattered Self: new Figurative Ceramics”, featuring the sculpture of Ann Gardner, Howard Kottler, Anne Perrigo, Debra Sherwood, and Patt! Warashina, was also a very impressive, if cramped, exhibition of the west coast artists’ work, and surprisingly, the only west coast venue for the exhibition, and has now gone. The Museum is worth keeping an eye on, and a NW Int'l Art Competition, this year featuring Fine Arts, -drawing specifically, will open November 10, until Jan, 6, 1989. The Museum (206-675-6981) will have information on next year's craft competi- tion, and B.C. artists are invited, along with their Oregon, Washington, and Idaho counterparts ta take part. Janet Kidnie Ee AWARDS In 1977, the feneral idea of a scholarship fund was approved by the executive of the Guild, and over the next two years a programme was instituted that provided for two awards of $50 to be given at colleges chosen by the Guild to students nominated by their teachers, One award, for a second year student, was named In honour of Olea Davis, the founding president of the Potters Guild: and the other, for a first year student, was named in honour of David Lambert, “in recognition for his long, committed and often anonymous assistance given to school and college ceramic programumnes”. There was also to be an Olea Davis Special Award of $100, to be given at the Guild's Annual Exhibition “to a member of the Guild......combining the pro- duction of quality ceramics with the energetic promotion of the Guild's interests, both through education and community support”. In 1979, sixteen awards were presented at eight colleges, and the Special Award given to Jeanne Sarich. The number of awards was maintained for afew years, but tn later years declined. In 1985, the Olea Davis Special Award was presented to Georgina Hughes. The recent recipients of the Olea Davis and David Lambert Incentive Awards were, in 1987, Sandi Bojm and Sandra Crotty at Langara: Margaret Glavina and Phillip Robbins at Emily Carr: Sheila Serack and Jack Ploesser at Capilano, and Hanne Andersen and Eileen Tomalty at Kwantlen. Inl988, Stephen Hanson and Debra Delinsky were winners at Langara, and Nancy Lyon and Marga- retta Warme at Capilano, In 1987, another vehicle for encouragement in the ceramic arts was instituted with the Artist-in- Residence programme. Nathan Rafla, as a potter beginning to establish his work in the market place, has been the first resident. In the latest issue of CABC Newsletter, Nathan has written an article describing his experiences and thoughts on the state of arts development in this province as a whole. We'll attempt to reprint all or some of the article tn December's issue. Anne Tolmie, Secretary