page 4 ig Sl Wit WS alll lt Wl tl i a lle ly ta i Jeannie Mah in Sunny a, Saskatchewan... *F rriends in Lotus land, you may indeed gloat. As the sole Guild member in Saskatchewan, | can tell you that itis COLD here! No, not just cold, but, since the beginning of November, unbearably (ridiculously) cold. Upon return from a month in B.C., | was plunged into an empty storefront, to work on an “artist in the windows" project for the (dreaded) Grey Cup. In a fur hat, ear muffs, fingerless gloves, and many bulky sweaters, | worked for five days in a window of an unheated building, with the temperature of -22C and howling winds 4 yee My paint froze. We had to defrost the window, inch by inch, with a blow dryer, before lettering could be applied. This was not a good Start to a long winter. My toes were cold, my back was sore and | was rather crabby. AY an extremes of climate are the norm here, afr and one must learn to “cope”*. In winter, the basement is too dry for me to be a productive potter. | find it impossible to breathe, my brain seizes up, and the clay won't co-operate. Summers, however, are glorious. My studio in the basement is cool and damp, providing a nice escape from the hot, dry Saskatchewan climate. Summer is the only time when | can actually make things, physically, so there is a frantic need to accomplish much in a small amount of time. Because | live in the centre of town, a daily swim in the outdoor pool in ape Wascana Park is my noon hour break. This refreshing exercise keeps me on an even keel. So, except for the mosquitoes, summers are * rather idyllic. Buying supplies took me a while to suss out. | order Duncan glazes from Tree in Saskatoon (250 km. away) which arrive on the bus. | buy clay out of a back alley. Honest. Carrying boxes of clay while wearing fat mittens in icy conditions and not being able to see my feet is i, little disconcerting, but nothing to match my London experience (or, How they carried [* Parcelain from Brixton to The Angel) on the tube, one change of subway line, and then a * half mile walk! * * Living in “the provinces" has probably had an affect on my “visibility*, but this suits me fine. | am selling less and less, and | hate packing more and more. During the long winter, | indulge in Film Studies (| have stumbled onto an excellent professor), and do bits of reading, writing and video-making. The Saskatchewan artistic communities are small, but enthusiastic, welcoming, and somehow interwoven. An interdisciplinary approach to art seems inevitable. Just this year, | have been asked to organize a tiny film series, design a poster for a dance company, video a feminist play and work with a computer engineer to create a CD ROM (subject: The intersection on painting and theatre in the films of Jean Renoir who, as my first film Prof. loves to tell me, started out as a potter). Informal reading and film studies groups keep us intellectually entertained. The Public Library acts as a cinemathique. Cross country skiing in winter and cycling in summer give us a chance to appreciate the changing beauty of the land (which, upon my return to my “native land", | find rather exotic). HHEPRHEHHHHA KH So, while | am veering away from clay, and | am complaining in a loud voice about the cold (it is -16 C today, and believe me, it feels balmy, a day without the earflaps down!), | am certainly not bored. Yet. And this year | am coping by running away to Portugal. Love from Saskatchewan, * Jeannie Mah. T i * ¥ EEEEREREREERERERER ERED